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-Titulo Original : The Realism Challenge Drawing And Painting Secrets From A Modern Master Of Hyperrealism
-Fabricante :
Watson-Guptill
-Descripcion Original:
A captivating, step-by-step guide that teaches artists to draw and paint exact duplicates of common objects, rendered in the trompe loeil, hyperrealistic style of artist Mark Crilleys popular YouTube video series. Are You Up to the Challenge? With just watercolors, colored pencils, and white gouache, artist Mark Crilley takes you step-by-step through his process for producing stunning, hyperrealistic recreations of everyday items. Based on Crilley’s mega-popular “Realism Challenge” YouTube videos, The Realism Challenge contains thirty lessons demonstrating how to render mirror-like duplicates in the trompe l’oeil tradition of everything from shells, leaves, and candy bars to your very own still life arrangements. Each lesson builds off the previous one, as you’ll master essential artistic techniques like creating drop shadows, adding highlights, and building from light to dark. Learn the secrets of one of hyperrealism’s biggest stars. Come take . . . The Realism Challenge! Review As seen on Boing Boing The realistic work of Mark Crilley is perfectly in step with a zeitgeist that revels in intense, vivid, and urgent reality. -- Comics Grinder What I really love about this book...is it’s simplicity...It offers you the ability to jump right in and get started. --Destroy the Cyborg About the Author MARK CRILLEY is the author of nearly twenty books and graphic novels, including Mastering Manga and Mastering Manga 2, as well as several series, including Akiko, Miki Falls, Billy Clikk, and Brody’s Ghost. Since being selected for Entertainment Weekly’s “It List” in 1998, Crilley has developed a massive Internet following for his drawing demonstration videos, which have received well over two hundred million views on YouTube. His books have been featured in USA Today, the New York Daily News, and Disney Adventures magazine, as well as on CNN Headline News. Excerpt. © Reprinted by permission. All rights reserved. Introduction A few years ago, I uploaded a video to YouTube called “Realism Challenge: Crumpled Paper.” It opened on a small sheet of white paper on the left-hand side of the screen, which I picked up and lightly crumpled. The remaining two minutes of the video were devoted to me doing an illustration in time lapse-right there beside the crumpled paper-of that very same object. It was a simple enough idea. But something about it captured people’s attention. It got hundreds of thousands of views, prompting me to try a similar exercise, this time with a sliced mushroom in place of the crumpled paper. When that one proved equally popular, I tried a third-this time with a torn-up playing card. That one proved the most popular of them all; as of this writing, it has had more than six million views. I began to understand that these videos were supplying people with a visual experience they’d probably never had before. Was I doing something new in these videos? Well, yes and no. It is common enough to see a seemingly three-dimensional object that is, in fact, a painting. Indeed, examples of “trompe l’oeil” painting-images designed to fool the eye in this way-can be found as far back as Greek and Roman times. An artist creating a mural in ancient Pompeii may have playfully painted an open window where in fact none existed. Such exercises in hyperrealistic trickery have continued over the centuries right up to our own times. So no, there is nothing new about an artist painting something at actual size in an effort to make it seem real enough to reach out and touch. But seeing an artist go up against a real object-one that remained right there in full view as the artist worked-that was something relatively new. By leaving the object in view, I put myself to the ultimate test of capturing reality. I invited the viewers to compare the two-object and illustration-with their own eyes and say to what degree I had succeeded or failed. And yet I had the nagging
-Fabricante :
Watson-Guptill
-Descripcion Original:
A captivating, step-by-step guide that teaches artists to draw and paint exact duplicates of common objects, rendered in the trompe loeil, hyperrealistic style of artist Mark Crilleys popular YouTube video series. Are You Up to the Challenge? With just watercolors, colored pencils, and white gouache, artist Mark Crilley takes you step-by-step through his process for producing stunning, hyperrealistic recreations of everyday items. Based on Crilley’s mega-popular “Realism Challenge” YouTube videos, The Realism Challenge contains thirty lessons demonstrating how to render mirror-like duplicates in the trompe l’oeil tradition of everything from shells, leaves, and candy bars to your very own still life arrangements. Each lesson builds off the previous one, as you’ll master essential artistic techniques like creating drop shadows, adding highlights, and building from light to dark. Learn the secrets of one of hyperrealism’s biggest stars. Come take . . . The Realism Challenge! Review As seen on Boing Boing The realistic work of Mark Crilley is perfectly in step with a zeitgeist that revels in intense, vivid, and urgent reality. -- Comics Grinder What I really love about this book...is it’s simplicity...It offers you the ability to jump right in and get started. --Destroy the Cyborg About the Author MARK CRILLEY is the author of nearly twenty books and graphic novels, including Mastering Manga and Mastering Manga 2, as well as several series, including Akiko, Miki Falls, Billy Clikk, and Brody’s Ghost. Since being selected for Entertainment Weekly’s “It List” in 1998, Crilley has developed a massive Internet following for his drawing demonstration videos, which have received well over two hundred million views on YouTube. His books have been featured in USA Today, the New York Daily News, and Disney Adventures magazine, as well as on CNN Headline News. Excerpt. © Reprinted by permission. All rights reserved. Introduction A few years ago, I uploaded a video to YouTube called “Realism Challenge: Crumpled Paper.” It opened on a small sheet of white paper on the left-hand side of the screen, which I picked up and lightly crumpled. The remaining two minutes of the video were devoted to me doing an illustration in time lapse-right there beside the crumpled paper-of that very same object. It was a simple enough idea. But something about it captured people’s attention. It got hundreds of thousands of views, prompting me to try a similar exercise, this time with a sliced mushroom in place of the crumpled paper. When that one proved equally popular, I tried a third-this time with a torn-up playing card. That one proved the most popular of them all; as of this writing, it has had more than six million views. I began to understand that these videos were supplying people with a visual experience they’d probably never had before. Was I doing something new in these videos? Well, yes and no. It is common enough to see a seemingly three-dimensional object that is, in fact, a painting. Indeed, examples of “trompe l’oeil” painting-images designed to fool the eye in this way-can be found as far back as Greek and Roman times. An artist creating a mural in ancient Pompeii may have playfully painted an open window where in fact none existed. Such exercises in hyperrealistic trickery have continued over the centuries right up to our own times. So no, there is nothing new about an artist painting something at actual size in an effort to make it seem real enough to reach out and touch. But seeing an artist go up against a real object-one that remained right there in full view as the artist worked-that was something relatively new. By leaving the object in view, I put myself to the ultimate test of capturing reality. I invited the viewers to compare the two-object and illustration-with their own eyes and say to what degree I had succeeded or failed. And yet I had the nagging
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