-Titulo Original : Audix D6 Dynamic Instrument Microphone-Fabricante : Audix -Descripcion Original: Incluye 2 protectores de pantalla de vidrio templado compatibles con Nokia 5 [Vidrio templado] [Cubierta completa] Desde rasguños hasta caídas de alto impacto, está protegido con el vidrio balístico transparente Mr.Shield HD Dureza de la superficie 9H: muy duradera y resistente a los arañazos Vidrio templado cortado con láser de precisión hecho con bordes redondeados pulidos. 99,99% de claridad HD y precisión de la pantalla táctil Protegido por Mr.Shield Limited Lifetime Replacemen...

-Titulo Original : Audix USB12 Condenser Microphone, Cardioid-Fabricante : AUDIX-Descripcion Original: High quality recording direct to computer // Programmable on-off membrane switch // Headphone monitor jack // Bass roll-off switch to minimize vibration // 16k resolution // The USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer. Known for its clarity, excellent transient response, SPL handling and ease of operation, the USB12 is designed to naturally capture and reproduce vocals and instruments with stunning detail. The USB12, which is characterized with a uniformly controlled cardioid polar pattern, provides excellent isolation and control at the sound source. With a smooth and accurate response over a frequency range of 50 Hz - 16 kHz. The USB12 supports 44.1k and 48k sample rates for both playback and recording. This high definition condenser microphone features a push-to-talk button with the option of steady on or momentary on as well as a headphone jack for real time monitoring. The USB12 is equipped with a bass roll-off filter to control unwanted low frequency signals. Transducer Type: Pre-polarized condenser Frequency Response: 50 Hz - 16.5 kHz Polar Pattern: Cardioid Output Impedance: 100 ohms Sensitivity: 1.3 mV/Pascal @ 1k Off Axis Rejection: >20 dB Maximum SPL: 115 dB Power Required: 5 volts via USB connectio...

-Titulo Original : Audix OM3-S Hypercardioid Vocal Microphone with Switch-Fabricante : Audix-Descripcion Original: Ideal for live, studio, and broadcast // Clear, accurate sound reproduction // On/off switch // Designed, assembled, and tested by Audix in the USA, the OM3-S mic is known for its clear and accurate sound reproduction, resistance to feedback, and ability to handle very high sound pressure levels without distortion // The OM3-S microphone has a handy on/off switch // Designed, assembled, and tested by Audix in the USA, the OM3-S is a dynamic vocal microphone used for a wide variety of live, studio, and broadcast applications. Features a handy on/offswitch. The Audix OM3-S is a dynamic vocal microphone that's comfortable in a wide variety of live, studio, and broadcast applications. Designed, assembled, and tested by Audix in the USA, the OM3-S mic is known for its clear and accurate sound reproduction, resistance to feedback, and ability to handle very high sound pressure levels without distortion. The OM3-S microphone has a handy on/off switch. The Audix OM3-S is displays a tight and uniformly controlled hypercardioid polar pattern which helps to isolate vocals from the rest of the instruments on stage. With a wide frequency range of 50Hz-18kHz, the OM3-S mic employs a VLM (Very Low Mass) diaphragm for a clean and natural sound with exceptional transient response. The Audix OM3-S is naturally attenuated in the lower mid-bass frequencies in order to reduce boominess and handling noise. This, in conjunction with an extremely articulate mid-range, makes the Audix OM3-S mic an excellent choice for PA systems of all sizes. The durable Audix OM3-S is well-balanced, comfortable to hold, and made with high standards and tight tolerances. The Audix OM3-S Vocal Microphone's roadworthy construction includes a precision die-cast zinc alloy body, black e-coat finish, laser-etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy duty nylon clip...

-Titulo Original : Audix F2 Instrument Dynamic Microphone, Hyper-Cardioid-Fabricante : Audix-Descripcion Original: Affordable dynamic instrument microphone for live sound or home studio // Full response with punchy mid-bass // Ideally suited for rack toms, congas, horns // Durable zinc alloy body with steel mesh grill // Designed, assembled and tested by Audix in the USA // The f2 is designed with a tailored frequency response of 52 Hz - 15 kHz, the f2 is ideally suited for instruments requiring mid-bass and mid-high reproduction in live and studio applications. A hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or from other instruments on stage. Low impedance and balanced output allow interference-free performance; even with long cable runs. Compact and durable, the f2 features a durable cast zinc alloy body, steel mesh grill, black Finish , laser etched model and serial number and three pin gold plated XLR connector. Transducer Type: Dynamic Frequency Response: 52 Hz - 15 kHz Polar Pattern: HypercardioidOutput Impedance: 580 ohms Sensitivity: 2 mV/Pascal @ 1k Off Axis Rejection: >20 dB Maximum SPL: >139 d...

-Titulo Original : Audix DP4 Microphone Pack-Fabricante : Audix-Descripcion Original: 3 x i5 snare drum, instrument mics // 1 x D6 kick drum mic // 3 x MC1 mic clips // 3 x DFLEX mounts // Aluminum road case // 4-piece Drum Mic Pack with 1 D6 Kick Drum Mic, 3 x i5 Snare/Tom Mics, 3 Mic Mounts, and Hard Cas...

-Titulo Original : Audix F6 Instrument Dynamic Microphone, Hyper-Cardioid-Fabricante : Audix-Descripcion Original: Affordable dynamic instrument microphone for live sound or home studio // Punchy low end with excellent attack // Ideally suited for kick drum, floor toms, bass cabs // Durable zinc alloy body with steel mesh grill // Designed, assembled and tested by Audix in the USA // The f6 is tailored with a frequency response of 40 Hz - 16 kHz and is ideally suited for instruments requiring bass reproduction in live and studio applications. The f6's hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds. The f6's low impedance and balanced output allow interference-free performance; even with long cable runs. Transducer Type: Dynamic Frequency Response: 40 Hz - 16 kHz Polar Pattern: HypercardioidOutput Impedance: 580 ohms Sensitivity: 6 mV/Pascal @ 1k Off Axis Rejection: >23 dB Maximum SPL: >140 d...

-Titulo Original : Audix VX5 Condenser Microphone, Super-Cardiod-Fabricante : Audix-Descripcion Original: Premium electret condenser for vocals and acoustic instruments // Smooth accurate frequency response // Switches for -10 dB pad and bass roll-off // Handles acoustic music as well as loud stages // Designed, assembled and tested by Audix in the USA // The VX5 is a professional vocal condenser microphone designed for a wide variety of live, studio and broadcast applications. With an ability to duplicate studio quality sound on stage, the VX5 is known for its smooth and accurate frequency response, resistance to feedback and ability to handle very high SPLs without distortion. The VX5 is characterized with a tight and uniformly controlled supercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 40 Hz - 16.5 kHz, the VX5 has a very clean and natural sound with exceptional transient response. Other features include a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grill with multi-stage pop filter and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages. In addition to vocal applications, the VX5 is ideally suited to capture acoustic instruments such as guitar, woodwinds, brass, percussion toys, drum overheads, hi-hat and piano. It is an excellent choice for home studio recording. The VX5 requires 18 - 52 V phantom power. Transducer Type: Condenser Frequency Response: 40 Hz - 16.5 kHz Polar Pattern: SupercardioidOutput Impedance: 150 ohms Sensitivity: 5 mV/Pascal @ 1k Off Axis Rejection: >20 dB Maximum SPL: >140 d...

-Titulo Original : Audix Instrument Condenser Microphone, Black, 4 x 4 x 10 inches (ADX51)-Fabricante : Audix-Descripcion Original: Cardioid pickup pattern and a smooth uniform response over a frequency range of 40-20k Hz // Precision machined from solid brass with a low reflective black e-coat finish // Designed with low noise electronic circuitry // Excels at miking drum overheads, acoustic guitars, piano, sax as well as group vocals // Great addition to any microphone arsenal, studio or live // The Audix ADX51 Instrument Condenser Microphone is a studio workhorse! The ADX51 is a pre-polarized condenser microphone designed to handle a wide variety of live, studio and broadcast applications. Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40-20k Hz, the ADX51 is precision machined from solid brass with a low reflective black e-coat finish. The ADX51 is designed with low noise electronic circuitry, balanced output, and switches that enable a 10 dB pad and a bass roll-off. The ADX51 is road-worthy and capable of handling high sound pressure levels of 142dB. The Audix ADX51 is an excellent overhead for Drums and Percussion,Bells, cymbals, hi-hat, and goodie tables. It also excels at miking acoustic instruments like acoustic guitar, piano, saxophone, orchestra (zone miking), as well as group vocals- the ADX51 may be used as a hanging microphone or on a stand to pick up group vocals for ensemble, choirs or plays. Two microphones may be positioned overhead or in front of the group, at a distance of approximately 4-6 feet apart. The ADX51 is definitely a great addition to any microphone arsenal, studio or live. ADX51 Applications Overhead for Drums / Percussion Acoustic instruments Group vocal...

-Titulo Original : Audix Vocal Dynamic Microphone, Black, 6.00 x 9.00 x 12.00 inches (OM7)-Fabricante : Audix-Descripcion Original: Designed specifically for pro touring // Delivers a clear, natural, and undistorted vocals // High gain before feedback // Extreme hypercardioid pattern // Ultra-linear 45Hz-19kHz frequency response // The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to “cup” the microphone with both hands. In order to achieve these extraordinary performance benefits, the OM7 dynamic vocal microphone is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 hypercardioid microphone is best suited for use with high quality mixing consoles which have plenty of head room to compensate for the low gain...

-Titulo Original : Audix FireBallV Dynamic Microphone, Cardioid-Fabricante : Audix-Descripcion Original: Ultra -small professional dynamic instrument mic for live sound and studio // Ideally suited harmonica, Beat boxing // Handles "cupping" without impacting sound quality // Volume control knob // Designed, assembled and tested by Audix in the USA // The FireBallV, with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM diaphragm for natural sound reproduction with exceptional transient response. Designed for harmonicas (both diatonic and chromatic) and beatbox, the FireBallV has the added feature of a volume control knob. Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBallV is ideally suited for both live stage and recording applications. The FireballV come with a wide frequency response of 50 Hz - 16 kHz and is lightweight, compact and comfortable to hold. Because the FireBallV is a low impedance microphone, when applying with a guitar amplifier, a high quality, low-high impedance transformer is required. Transducer Type: Dynamic Frequency Response: 15 Hz - 16 kHz Polar Pattern: Cardioid Output Impedance: 150 ohms Sensitivity: 1.5 mV/Pascal @ 1k Off Axis Rejection: >23 dB Maximum SPL: >140 d...

-Titulo Original : Audix D2 Dynamic Microphone, Hyper-Cardioid-Fabricante : Audix-Descripcion Original: Full response with punchy mid-bass // Ideally suited for rack toms, congas, horns. // VLM (very low mass) diaphragm provides excellent transient response // Handles extremely high SPLs without distortion // Designed, machined, assembled and tested by Audix in the USA // Color: The D2 is lightweight, compact and easy to position. With a wide frequency response of 44 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. The D2 is manufactured with a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector and is supplied with a tension-fit heavy-duty nylon microphone clip. Transformerless design, low impedance and balanced output allow for interference-free performance; even with long cable runs. Transducer Type: Dynamic Frequency Response: 44 Hz - 18 kHz Polar Pattern: HypercardioidOutput Impedance: 250 ohms Sensitivity: 1.2 mV/Pascal @ 1k Off Axis Rejection: > 30 dB Maximum SPL: >144 d...

-Titulo Original : Audix OM2 Dynamic Vocal Microphone-Fabricante : Audix-Descripcion Original: Clear and accurate sound reproduction // Handles high SPL without distortion // Provides exceptional gain before feedback // Provides excellent vocal isolation on stage // Designed, assembled and tested by Audix in the USA // The OM2 is a dynamic vocal microphone used for a wide variety of live, home and studio applications. It is known for its clear and accurate sound reproduction, resistance to feedback, and ability to handle very high SPLs (Sound Pressure Levels) without any distortion. The OM2 is made with a tight and uniform pattern which helps isolate your vocals from the rest of the instruments on stage. With a wide frequency range of 50 Hz - 16 kHz, the OM2 employs a VLM (Very Low Mass) diaphragm for a clear, precise sound with exceptional voice response. Built with a slight bass proximity and a tailored mid-range, the OM2 has a full-bodied sound on small to mid-sized PA systems while retaining great sound on large or professional PA systems. Transducer Type:Dynamic Frequency Response:50 Hz – 16kHz Polar Pattern: Hypercardioiod Output Impedance:250 ohms Sensitivity:1.7 mV / Pascal @ 1k Off Axis Rejection:> 25 dB Maximum SPL:140 d...

-Titulo Original : Audix D4 Dynamic Microphone, Hyper-Cardioid-Fabricante : Audix-Descripcion Original: Wide spectrum sound with extended bass response // Ideally suited for floor toms, djembe, baritone sax , leslie low // VLM (very low mass) diaphragm provides excellent transient response // Handles extremely high SPLs without distortion // Designed, machined, assembled and tested by Audix in the USA // The D4 is used for stage, studio and broadcast applications. Designed with a hypercardioid pickup pattern for isolation and feedback control, the D4 is equipped with a VLM diaphragm for natural, accurate sound reproduction. The D4 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone sax, trombone, acoustic bass, bass cabinets and small kick drums. The D4 is manufactured with a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector and is supplied with a tension-fit heavy-duty nylon microphone clip. Transformerless design, low impedance and balanced output allow for interference-free performance; even with long cable runs. Transducer Type: Dynamic Frequency Response: 40 Hz - 18 kHz Polar Pattern: HypercardioidOutput Impedance: 200 ohms Sensitivity: 1.4 mV/Pascal @ 1k Off Axis Rejection: > 20 dB Maximum SPL: >144 d...

-Titulo Original : Audix FireBall Harmonica Microphone-Fabricante : Audix-Descripcion Original: Dynamic moving coil transducerVLM (very low mass) Type B capsuleCardioid pickup patternSensitivity: 1.9mV/Pascal @ 1k50Hz-16kHz frequency range150 ohms balanced impedanceMaximum SPL: >140 dBOff-axis rejection: >23 dBAluminum housingAnodized finish4-1/2 oz3"L // An ultra small, high performance microphone designed to fit in the palm of your hand. The Fireball is a really different looking mic that lends itself to unique applications. A great harmonica mic, as well as a different looking but great sounding instrument or vocal microphone. The Fireball comes with a carry pouch and mic clip. The FireBall is a professional dynamic microphone specially designed for harmonica. Characterized with a cardioid pick-up pattern and a smooth, uniform frequency response of 50-15k, the FireBall will handle both live sound and studio applications. The microphone is clear, accurate, and capable of handling sound pressure levels in excess of 140 dB without distortion. In addition to harmonica, the FireBall can also be utilized for saxophone, brass, flute, and vocals. It features a transformerless design, low impedance, and balanced output that provides interference-free performance, even with long cable runs. The FireBall consists of a durable steel mesh grill with a CNC machined aluminum body that is coated with a three-stage anodizing process...

-Titulo Original : Audix OM5 Dynamic Microphone, Hyper-Cardioid-Fabricante : Audix-Descripcion Original: High-quality sound at very high SPLs without distorion or feedback. Naturally attenuated at 120Hz to reduce boominess and handling noise. Mid-range tailored for clarity and presence VLM (Very Low Mass) technology delivers outstanding transient response. // The OM5 is known for its clarity, resistance to feedback and ability to handle sound pressure levels in excess of 144 dB without distortion. // The OM5 is characterized with an extremely tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. // With a wide frequency range of 48 Hz - 19 kHz, the OM5 employs a VLM™ (Very Low Mass) diaphragm for natural response, accurate sound reproduction and exceptional transient response. // The OM5 is designed, assembled and tested by Audix in the USA and is used for stage, studio and broadcast applications. The OM5 is widely known in professional audio for its clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion. Designed with a tailored midrange, the OM5 will put the lead vocalist out in front of the mix regardless of the volume on stage. The OM5 has an extremely tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 48 Hz - 19 kHz, the OM5 employs a VLM (very low mass) diaphragm for natural response, accurate sound reproduction and exceptional transient response. The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The OM5 is comfortable to hold, very easy to work with and made to last a lifetime. Transducer Type: Dynamic Frequency Response: 48 Hz - 19kHzPolar Pattern: HypercardioidOutput Impedance: 200 ohms Sensitivity: 1.8 mV/Pascal @ 1k Off Axis Rejection: > 30 dB Maximum SPL: 144 d...

-Titulo Original : Audix SCX1-HC Microphone-Fabricante : Audix-Descripcion Original: Polar Pattern: Hypercardioid // Frequency Response: 40Hz-20kHz // Impedance: 150 ohms // mV/Pascal Sensitivity: 28 mV // Rejection Off-Axis: >15 dB // The SCX1-HC is a high quality transformerless studio condenser.The SCX1-HC provides exceptionally flat response, making it perfect for any ultra-critical recording or live sound application. The mic is extremely quiet, making it ideal for critical digital or analog recording. It operates on standard phantom power of 48-52 volts DC.The SCX1-HC is a high quality USA-made condenser comparable to the very finest European condenser microphones which incorporates Surface Mount Technology (SMT).SpecificationsPolar Pattern: HypercardioidFrequency Response: 40Hz-20kHzImpedance: 150 ohmsmV/Pascal Sensitivity: 28 mVRejection Off-Axis: >15 dBMax SPL: 130 d...

-Titulo Original : Audix ADX20i-P Clip-On Condenser Microphone-Fabricante : Audix-Descripcion Original: Applications: // Saxophone // Trombone // Trumpet // Room ambience, recording // The ADX20iP is applicable for professional stage and studio applications. This mic is primarily used for miking most reed and brass instruments. The ADX20iP has a uniformly controlled cardioid polar pattern, which provides excellent isolation and feedback control on stage with natural sound reproduction at very close distances. The ADX20iP is lightweight, compact and simple to use. Included with the ADX20iP is a gooseneck clip with spring tension for easy mounting to the bell of an instrument. The ADX20i requires phantom power of 9-52 V. - Saxophone - Trombone, trumpet - Room ambience, recording - Accordio...