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-Titulo Original : Classic Krakauer Essays On Wilderness And Risk
-Fabricante :
Anchor
-Descripcion Original:
Spanning an extraordinary range of subjects and locations, these ten gripping essays show why Jon Krakauer is considered a standard-bearer of modern journalism. His pieces take us from a horrifying avalanche on Mount Everest to a volcano poised to obliterate a big chunk of Seattle; from a wilderness teen-therapy program run by apparent sadists to an otherworldly cave in New Mexico, studied by NASA to better understand Mars; from the notebook of one Fred Beckey, who catalogued the greatest unclimbed mountaineering routes on the planet, to the last days of legendary surfer Mark Foo. Bringing together work originally published in such magazines as The New Yorker, Outside, and Smithsonian-all rigorously researched, vividly written, and marked by an unerring instinct for storytelling and scoop-Classic Krakauer powerfully demonstrates the author’s ambivalent love affair with unruly landscapes and his relentless search for truth. Review “Krakauer is a masterly writer and reporter.” -The New York Times Book Review A first-rate journalist. -San Francisco ChronicleKrakauer is an extremely gifted storyteller as well as a relentlessly honest and evenhanded journalist. -ElleJon Krakauer has made a name for himself by writing about impassioned individuals and the incredible lengths to which they go in pursuit of their goals. -San Jose Mercury News About the Author Jon Krakauer is the author of eight books and has received an Academy Award in Literature from the American Academy of Arts and Letters. According to the award citation, “Krakauer combines the tenacity and courage of the finest tradition of investigative journalism with the stylish subtlety and profound insight of the born writer.” Excerpt. © Reprinted by permission. All rights reserved. Chapter 1Mark Foo’s Last RidePublished in Outside, May 1995Twenty-two miles down Highway 1 from San Francisco, a craggy fist of land called Pillar Point thrusts emphatically into the cold Pacific. Friday, December 23, 1994, dawned fair over this stretch of coast. Mountainous waves crashed against the headlands, spraying up billows of mist that unfurled languidly across the beaches. Beyond the end of the point, some fifteen surfers bobbed in the winter sunlight, scanning the horizon for approaching swells.It was not uncommon to see surfers off the point-a spot they called Mavericks-dressed in heavy, hooded wetsuits and sitting astride oversize boards. But the hovering helicopter, the three boats of photographers just outside the surf line, and the throng of spectators lining the cliffs suggested this was no ordinary surf session.For more than a week, the largest, most perfectly shaped waves in a decade had been thundering over the reef at the end of Pillar Point. Word traveled quickly over the international surfers’ grapevine: Mavericks, which had recently emerged as one of the world’s heaviest waves, was going off. Upon hearing the news, a trio of renowned big-wave surfers from the Hawaiian Islands-Brock Little, Ken Bradshaw, and Mark Foo-hurried to California to join the local crew in the surf.The names and faces of the three Hawaiians were familiar to most of the five million surfers on the planet. Who among them was top dog in the surf was a matter of lively debate, but there was no disagreement over who cut the highest profile out of the water.Mark Sheldon Foo was not afflicted with an excess of modesty or self-doubt. In his resume, he unabashedly described himself as “surfing’s consummate living legend.” Detractors called him grandiose, and worse, but it didn’t crimp Foo’s style. In his Filofax were the phone numbers of surfing’s premier photographers, whom he cultivated and kept in close contact with. His picture appeared in print with uncanny frequency, and he hosted a surfing show on cable television.Foo made no bones about his thirst for fame or his strategy for achieving it: ride the world’s biggest waves with singular audacity
-Fabricante :
Anchor
-Descripcion Original:
Spanning an extraordinary range of subjects and locations, these ten gripping essays show why Jon Krakauer is considered a standard-bearer of modern journalism. His pieces take us from a horrifying avalanche on Mount Everest to a volcano poised to obliterate a big chunk of Seattle; from a wilderness teen-therapy program run by apparent sadists to an otherworldly cave in New Mexico, studied by NASA to better understand Mars; from the notebook of one Fred Beckey, who catalogued the greatest unclimbed mountaineering routes on the planet, to the last days of legendary surfer Mark Foo. Bringing together work originally published in such magazines as The New Yorker, Outside, and Smithsonian-all rigorously researched, vividly written, and marked by an unerring instinct for storytelling and scoop-Classic Krakauer powerfully demonstrates the author’s ambivalent love affair with unruly landscapes and his relentless search for truth. Review “Krakauer is a masterly writer and reporter.” -The New York Times Book Review A first-rate journalist. -San Francisco ChronicleKrakauer is an extremely gifted storyteller as well as a relentlessly honest and evenhanded journalist. -ElleJon Krakauer has made a name for himself by writing about impassioned individuals and the incredible lengths to which they go in pursuit of their goals. -San Jose Mercury News About the Author Jon Krakauer is the author of eight books and has received an Academy Award in Literature from the American Academy of Arts and Letters. According to the award citation, “Krakauer combines the tenacity and courage of the finest tradition of investigative journalism with the stylish subtlety and profound insight of the born writer.” Excerpt. © Reprinted by permission. All rights reserved. Chapter 1Mark Foo’s Last RidePublished in Outside, May 1995Twenty-two miles down Highway 1 from San Francisco, a craggy fist of land called Pillar Point thrusts emphatically into the cold Pacific. Friday, December 23, 1994, dawned fair over this stretch of coast. Mountainous waves crashed against the headlands, spraying up billows of mist that unfurled languidly across the beaches. Beyond the end of the point, some fifteen surfers bobbed in the winter sunlight, scanning the horizon for approaching swells.It was not uncommon to see surfers off the point-a spot they called Mavericks-dressed in heavy, hooded wetsuits and sitting astride oversize boards. But the hovering helicopter, the three boats of photographers just outside the surf line, and the throng of spectators lining the cliffs suggested this was no ordinary surf session.For more than a week, the largest, most perfectly shaped waves in a decade had been thundering over the reef at the end of Pillar Point. Word traveled quickly over the international surfers’ grapevine: Mavericks, which had recently emerged as one of the world’s heaviest waves, was going off. Upon hearing the news, a trio of renowned big-wave surfers from the Hawaiian Islands-Brock Little, Ken Bradshaw, and Mark Foo-hurried to California to join the local crew in the surf.The names and faces of the three Hawaiians were familiar to most of the five million surfers on the planet. Who among them was top dog in the surf was a matter of lively debate, but there was no disagreement over who cut the highest profile out of the water.Mark Sheldon Foo was not afflicted with an excess of modesty or self-doubt. In his resume, he unabashedly described himself as “surfing’s consummate living legend.” Detractors called him grandiose, and worse, but it didn’t crimp Foo’s style. In his Filofax were the phone numbers of surfing’s premier photographers, whom he cultivated and kept in close contact with. His picture appeared in print with uncanny frequency, and he hosted a surfing show on cable television.Foo made no bones about his thirst for fame or his strategy for achieving it: ride the world’s biggest waves with singular audacity
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