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-Titulo Original : Ritmos Afro Puertorriqueños / Afro Puerto Rican Rhythms
-Fabricante :
Lulu
-Descripcion Original:
The purpose of this book is to document those Afro-Puerto Rican rhythms that were long relegated to a second or third level in the cultural environment of Puerto Rico. Apart from documenting the rhythms (about 19), we provide a historical background of the practice, including information on practitioners of this genre and the places where they were practiced. In addition, we include a section of how some of the rhythms of Bomba and Plena can be used in other genres such as jazz, funk, rock and other Afro-descendant genres with the drum set. This book is accompanied by a series of educational materials that reinforce its content. We added to this work videos, audios and writings that indicate how to play the different rhythms we discuss here and historical aspects of both Bomba and Plena, and the historical circumstances that shaped them. ------- El proposito de este libro es documentar aquellos ritmos afropuertorriqueños que por mucho tiempo estuvieron relegados a un segundo o tercer nivel en el ambiente cultural de Puerto Rico. Ademas de documentar los ritmos (alrededor de 19), proporcionamos un trasfondo historico de la practica, incluyendo informacion sobre los practicantes de este genero y los lugares donde se practicaba. Ademas, incluimos una seccion de como algunos de los ritmos de Bomba y Plena pueden ser utilizados en otros generos como jazz, funk, rock y otros generos afro-descendientes con la bateria. Este libro va acompañado de una serie de materiales didacticos que refuerzan su contenido. Agregamos a este trabajo videos, audios y escritos que indican como tocar los diferentes ritmos que aqui comentamos y aspectos historicos tanto de la Bomba como de la Plena, y las circunstancias historicas que les dieron forma. About the Author Jesus M. Cepeda Brenes, son of Patriarch de la Bomba and Plena Don Rafael Cepeda Atiles and Doña Caridad Brenes, is an expert in everything related to this major art of Puerto Rican folklore. He has excelled as a teacher in and outside of Puerto Rico, training expert musicians, researchers, music students, and the general public. He has given talks at universities, colleges and elementary schools on the fundamentals of the Bomba and the Plena. The artistic education that it possesses is the tradition that has been passed down from parents to children and grandchildren over the years, creating a classic folklore within the native musical line with greater emphasis on the Bomba and the Puerto Rican Plena. . He belonged to the Folkloric Ballet of the Cepeda Family, a group that constitutes a representative sample of our folklore, recreating in his presentations the Bomba and the Puerto Rican plena without losing the authentic flavor of the dances of our grandparents. He has transcended the borders of Puerto Rico and has taken his presentations to many countries, including: France, England, Italy, Spain, Mexico, the Dominican Republic, and the Virgin Islands (US). They have been performed in various cities and universities and halls across the United States, including Carnegie Hall, Lincoln Center, New York City Central Park, and others. Dimas Sanchez is a Puerto Rican-born drummer and percussionist living in the city of Orlando FL. Some of the musical styles in which he has worked are Blues, Jazz, Country, Latin Jazz, Rock, Bomba, Plena, Funk, Samba Bossa Nova and Big Band among others. Dimas has had the opportunity to play with the following musicians and groups: El Taller de Jazz Don Pedro; David Sanchez; Giovanni Hidalgo; Eddie GuaGua Rivera; Milly Puente; John Benitez; Nestor Torres; Anthony Carrillo; Iba A Se; Gabriel Hernandez; Edsel Gomez, The Cepeda Family; Eric Figueroa; Lucecita Benitez; Juancito Torres; Chuchito Valdes; Ray Coen; Tito Puente Jr; Marty Morell, Xavier Cougat Orchestra among others. He has also produced Latin Jazz recordings with Eddie GuaGua Riveras Opus Mundi group and with his own group Fusion Beat. He has also participated in the following m
-Fabricante :
Lulu
-Descripcion Original:
The purpose of this book is to document those Afro-Puerto Rican rhythms that were long relegated to a second or third level in the cultural environment of Puerto Rico. Apart from documenting the rhythms (about 19), we provide a historical background of the practice, including information on practitioners of this genre and the places where they were practiced. In addition, we include a section of how some of the rhythms of Bomba and Plena can be used in other genres such as jazz, funk, rock and other Afro-descendant genres with the drum set. This book is accompanied by a series of educational materials that reinforce its content. We added to this work videos, audios and writings that indicate how to play the different rhythms we discuss here and historical aspects of both Bomba and Plena, and the historical circumstances that shaped them. ------- El proposito de este libro es documentar aquellos ritmos afropuertorriqueños que por mucho tiempo estuvieron relegados a un segundo o tercer nivel en el ambiente cultural de Puerto Rico. Ademas de documentar los ritmos (alrededor de 19), proporcionamos un trasfondo historico de la practica, incluyendo informacion sobre los practicantes de este genero y los lugares donde se practicaba. Ademas, incluimos una seccion de como algunos de los ritmos de Bomba y Plena pueden ser utilizados en otros generos como jazz, funk, rock y otros generos afro-descendientes con la bateria. Este libro va acompañado de una serie de materiales didacticos que refuerzan su contenido. Agregamos a este trabajo videos, audios y escritos que indican como tocar los diferentes ritmos que aqui comentamos y aspectos historicos tanto de la Bomba como de la Plena, y las circunstancias historicas que les dieron forma. About the Author Jesus M. Cepeda Brenes, son of Patriarch de la Bomba and Plena Don Rafael Cepeda Atiles and Doña Caridad Brenes, is an expert in everything related to this major art of Puerto Rican folklore. He has excelled as a teacher in and outside of Puerto Rico, training expert musicians, researchers, music students, and the general public. He has given talks at universities, colleges and elementary schools on the fundamentals of the Bomba and the Plena. The artistic education that it possesses is the tradition that has been passed down from parents to children and grandchildren over the years, creating a classic folklore within the native musical line with greater emphasis on the Bomba and the Puerto Rican Plena. . He belonged to the Folkloric Ballet of the Cepeda Family, a group that constitutes a representative sample of our folklore, recreating in his presentations the Bomba and the Puerto Rican plena without losing the authentic flavor of the dances of our grandparents. He has transcended the borders of Puerto Rico and has taken his presentations to many countries, including: France, England, Italy, Spain, Mexico, the Dominican Republic, and the Virgin Islands (US). They have been performed in various cities and universities and halls across the United States, including Carnegie Hall, Lincoln Center, New York City Central Park, and others. Dimas Sanchez is a Puerto Rican-born drummer and percussionist living in the city of Orlando FL. Some of the musical styles in which he has worked are Blues, Jazz, Country, Latin Jazz, Rock, Bomba, Plena, Funk, Samba Bossa Nova and Big Band among others. Dimas has had the opportunity to play with the following musicians and groups: El Taller de Jazz Don Pedro; David Sanchez; Giovanni Hidalgo; Eddie GuaGua Rivera; Milly Puente; John Benitez; Nestor Torres; Anthony Carrillo; Iba A Se; Gabriel Hernandez; Edsel Gomez, The Cepeda Family; Eric Figueroa; Lucecita Benitez; Juancito Torres; Chuchito Valdes; Ray Coen; Tito Puente Jr; Marty Morell, Xavier Cougat Orchestra among others. He has also produced Latin Jazz recordings with Eddie GuaGua Riveras Opus Mundi group and with his own group Fusion Beat. He has also participated in the following m
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