Book : Behind The Beautiful Forevers Life, Death, And Hope..

-Titulo Original : Behind The Beautiful Forevers Life, Death, And Hope In A Mumbai Undercity

-Fabricante :

Random House Trade Paperbacks

-Descripcion Original:

NEW YORK TIMES BESTSELLER * NATIONAL BOOK AWARD WINNER * NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE “Inspiring . . . extraordinary . . . [Katherine Boo] shows us how people in the most desperate circumstances can find the resilience to hang on to their humanity. Just as important, she makes us care.”-People “A tour de force of social justice reportage and a literary masterpiece.”-Judges, PEN/John Kenneth Galbraith Award ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times * The Washington Post * O: The Oprah Magazine * USA Today * New York * The Miami Herald * San Francisco Chronicle * Newsday In this breathtaking book by Pulitzer Prize winner Katherine Boo, a bewildering age of global change and inequality is made human through the dramatic story of families striving toward a better life in Annawadi, a makeshift settlement in the shadow of luxury hotels near the Mumbai airport. As India starts to prosper, the residents of Annawadi are electric with hope. Abdul, an enterprising teenager, sees “a fortune beyond counting” in the recyclable garbage that richer people throw away. Meanwhile Asha, a woman of formidable ambition, has identified a shadier route to the middle class. With a little luck, her beautiful daughter, Annawadi’s “most-everything girl,” might become its first female college graduate. And even the poorest children, like the young thief Kalu, feel themselves inching closer to their dreams. But then Abdul is falsely accused in a shocking tragedy; terror and global recession rock the city; and suppressed tensions over religion, caste, sex, power, and economic envy turn brutal. With intelligence, humor, and deep insight into what connects people to one another in an era of tumultuous change, Behind the Beautiful Forevers, based on years of uncompromising reporting, carries the reader headlong into one of the twenty-first century’s hidden worlds-and into the hearts of families impossible to forget. WINNER OF: The PEN Nonfiction Award * The Los Angeles Times Book Prize * The American Academy of Arts and Letters Award * The New York Public Library’s Helen Bernstein Book Award NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker * People * Entertainment Weekly * The Wall Street Journal * The Boston Globe * The Economist * Financial Times * Foreign Policy * The Seattle Times * The Nation * St. Louis Post-Dispatch * The Denver Post * Minneapolis Star Tribune * The Week * Kansas City Star * Slate * Publishers Weekly Review “This book is both a tour de force of social justice reportage and a literary masterpiece.”-Judges’ Citation for the PEN/John Kenneth Galbraith Award “A book of extraordinary intelligence [and] humanity . . . beyond groundbreaking.”-Junot Diaz, The New York Times Book Review “Reported like Watergate, written like Great Expectations, and handily the best international nonfiction in years.”-New York “Incandescent writing and excruciatingly good storytelling.”-The Philadelphia Inquirer “Outstanding.”-USA Today “A richly detailed tapestry of tragedy and triumph told by a seemingly omniscient narrator with an attention to detail that reads like fiction while in possession of the urgent humanity of nonfiction.”-Los Angeles Times “Rends the heart, thrills the mind, pricks the conscience, and burns the pages.”-Washingtonian “[An] exquisitely accomplished first book. Novelists dream of defining characters this swiftly and beautifully, but Ms. Boo is not a novelist. She is one of those rare, deep-digging journalists who can make truth surpass fiction, a documentarian with a superb sense of human drama. She makes it very easy to forget that this book is the work of a reporter. . . . Comparison to Dickens is not unwarranted.”-Janet Maslin, The New York Times “A jaw-dropping achievement, an instant classic of narrative nonfiction . . . With a cinematic intensity . . . Boo transcends and subverts every cliche, cynical or earnest, that we harbor about I