Book : Incarnations A History Of India In Fifty Lives -...

-Titulo Original : Incarnations A History Of India In Fifty Lives

-Fabricante :

Farrar, Straus And Giroux

-Descripcion Original:

About the Author Sunil Khilnani, born in New Delhi and educated at Cambridge University, teaches politics at Birkbeck College, University of London. The author of Arguing Revolution, he is at work on a biography of Nehru (forthcoming from FSG). An entertaining and provocative account of India’s past, written by one of the country’s leading thinkersFor all India’s myths, its sea of stories and moral epics, Indian history remains a curiously unpeopled place. In Incarnations, Sunil Khilnani fills that space, bringing to life fifty extraordinary men and women who changed both India and the world. Journeying across India in pursuit of their stories visiting slum temples, ayurvedic call centers, Bollywood studios, textile mills, and Mughal fortresses Khilnani offers trenchant portraits of emperors, warriors, philosophers, artists, iconoclasts, and entrepreneurs. Some of these historical figures are famous. Some are unjustly forgotten. And all, Khilnani convinces us, are deeply relevant today. As their rich and surprising lives take the reader through twenty-five hundred winding years of Indian and world history, Khilnani brings wit, feeling, historical rigor, and uncommon insight to dilemmas that extend from ancient times to our own.We encounter the Buddha not as the usual beatific icon but as a radical young social critic. We meet the ancient Sanskrit linguist who inspires computer programmers today. We hear the medieval poets, ribald and profound, who mocked rituals and caste and whose voices resonate in contemporary poetry. And we see giants of the twentieth-century Independence movement among them Mohandas Gandhi; Ambedkar, the Untouchable lawyer turned constitution maker; and the legendary singer M. S. Subbulakshmi not as cardboard cutouts but as complex and striving human beings. At once a provocative and sophisticated reinterpretation of India’s history and an incisive commentary on its present-day conflicts and struggles, Incarnations is an authoritative, sweeping, and often moving account of a nation coming into its own. Review A whirlwind tour of roughly 2,500 years of Indian history in 50 fast-paced chapters. . . . Khilnanis writing is easy to read, yet authoritative. He has spent much of his career studying-India . . . [and] strives to connect the lives and ideas of his subjects to one another and to contemporary India . . . Readers can dip in and out of chapters randomly without being confused, but Incarnations is most rewarding when read from start to finish . . . To my mind the best thing Khilnani has done is to leave the reader wanting more. Vikas Bajaj, The New York Times Book ReviewAn incisive work of popular history . . . undercutting, irreverent, and impish. It attempts to show, through prodigious but lightly worn scholarship, how complex and heterodox the Indian past was, and how it has been, and continues to be, constructed . . . Khilnani offers a fresh, cosmopolitan way of examining the Indian past. Everywhere he looks he sees rivers of influence and thought and ideas. Karan Mahajan, The New YorkerBeautifully written with both scholarship and an enviably light touch, thoughtfully constructed and enviably erudite in its wide-ranging references, and as much at ease discussing higher mathematics and philosophy as politics and art, Incarnations is a major work by one of India’s most impressive minds, and the best possible introduction to both the complexities and the charms of Indian history. William Dalrymple, The GuardianIncisive and elegantly written . . . A work of distinction. John Keay, The Times Literary Supplement Revelatory, bold and contemplative . . . Scholarly and accessible, lively and deeply serious . . . Is this simply cashing in on the idea behind the blockbuster A History of the World in 100 Objects by Neil MacGregor? Can anyone ever match the erudition and verve of the erstwhile director of the British Museum? Yes and yes. And though this