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Book : We Keep The Dead Close A Murder At Harvard And A Half

Modelo 38746832
Fabricante o sello Grand Central Publishing
Peso 0.72 Kg.
Precio:   $75,869.00
Si compra hoy, este producto se despachara y/o entregara entre el 13-05-2025 y el 21-05-2025
Descripción
-Titulo Original : We Keep The Dead Close A Murder At Harvard And A Half Century Of Silence

-Fabricante :

Grand Central Publishing

-Descripcion Original:

FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZEFINALIST FOR THE ALCS GOLD DAGGER FOR NON-FICTIONNATIONAL BESTSELLERNamed One of The Best Books of 2020 by NPRs Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * BustleA Recommended Book by The New York Times * The Washington Post * Booklist * The Boston Globe * Amazon * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * ShondalandDive into a tour de force of investigative reporting (Ron Chernow): a searching, atmospheric and ultimately entrancing (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an exhilarating and seductive (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men.You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesnt let you forget.1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvards Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because shed threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a cowboy culture among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young womans past onto anothers present, and a love story for a girl who was lost to history. Review We Keep the Dead Close by Becky Cooper is a brilliantly idiosyncratic variant of generic true crime, rather more a memoir than a conventional work of reportage, so structured that the revelation of the murderer is not the conclusion or even the most important feature of the book. . . [A] beautifully composed elegy. Joyce Carol Oates, New York Review of BooksAs an undergraduate at Harvard, Cooper became obsessed with the unsolved murder of Jane Britton, an anthropology student there, in 1969. As Cooper was digging, new D.N.A. analysis eventually identified a suspect, but the real thrills of the story are the twists and turns that kept the killing a mystery for decades. New York Times“Becky Cooper’s WE KEEP THE DEAD CLOSE is an impressively granular investigation of this shocking and perplexing case…Cooper should be lauded for her investigative abilities - there is no question that she has earned her spot among the ranks of detectives and reporters who have spent decades obsessed with the Britton case…It’s in discussing the misogyny of academia and the politics of Harvard that Cooper shines the brightest…[WE KEEP THE DEAD CLOSE is] a meditation on academia, womanhood and the power of storytelling.” Washington PostWhile projecting her own life onto Britton’s, Cooper weighs the responsibility to accurately narrate the past: Is it ever justifiable, I wondered, to trap someone in a story that robs them of their truth, but voices someone else’s? The New YorkerSearching, atmospheric and ultimately entrancing, We Keep the
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