-Titulo Original : Time Shelter A Novel-Fabricante : Liveright-Descripcion Original: WINNER OF THE 2023 INTERNATIONAL BOOKER PRIZE New Yorker * Best Books of 2022 An award-winning international sensation with a second-act dystopian twist Time Shelter is a tour de force set in a world clamoring for the past before it forgets. “At one point they tried to calculate when time began, when exactly the earth had been created,” begins Time Shelter’s enigmatic narrator, who will go unnamed. “In the mid-seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ.” But for our narrator, time as he knows it begins when he meets Gaustine, a “vagrant in time” who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century. In an apricot-colored building in Zurich, surrounded by curiously planted forget-me-nots, Gaustine has opened the first “clinic for the past,” an institution that offers an inspired treatment for Alzheimer’s sufferers: each floor reproduces a past decade in minute detail, allowing patients to transport themselves back in time to unlock what is left of their fading memories. Serving as Gaustine’s assistant, the narrator is tasked with collecting the flotsam and jetsam of the past, from 1960s furniture and 1940s shirt buttons to nostalgic scents and even wisps of afternoon light. But as the charade becomes more convincing, an increasing number of healthy people seek out the clinic to escape from the dead-end of their daily lives a development that results in an unexpected conundrum when the past begins to invade the present. Through sharply satirical, labyrinth-like vignettes reminiscent of Italo Calvino and Franz Kafka, the narrator recounts in breathtaking prose just how he became entrenched in a plot to stop time itself. “A trickster at heart, and often very funny” (Garth Greenwell, The New Yorker), prolific Bulgarian author Georgi Gospodinov masterfully stalks the tragedies of the last century, including our own, in what becomes a haunting and eerily prescient novel teeming with ideas. Exquisitely translated by Angela Rodel, Time Shelter is a truly unforgettable classic from “one of Europe’s most fascinating and irreplaceable novelists” (Dave Eggers). 19 black-and-white drawing...

-Titulo Original : Germany In The World A Global History, 1500-2000-Fabricante : Liveright-Descripcion Original: Brilliantly conceived and majestically written, this monumental work of European history recasts the five-hundred-year history of Germany. With Germany in the World, award-winning historian David Blackbourn radically revises conventional narratives of German history, demonstrating the existence of a distinctly German presence in the world centuries before its unification and revealing a national identity far more complicated than previously imagined. Blackbourn traces Germany’s evolution from the loosely bound Holy Roman Empire of 1500 to a sprawling colonial power to a twenty-first-century beacon of democracy. Viewed through a global lens, familiar landmarks of German history the Reformation, the Revolution of 1848, the Nazi regime are transformed, while others are unearthed and explored, as Blackbourn reveals Germany’s leading role in creating modern universities and its sinister involvement in slave-trade economies. A global history for a global age, Germany in the World is a bold and original account that upends the idea that a nation’s history should be written as though it took place entirely within that nation’s borders. 35 illustrations; 5 map...

-Titulo Original : 1964: Eyes Of The Storm-Fabricante : Liveright-Descripcion Original: Millones de ojos se posaron repentinamente sobre nosotros, creando una imagen que nunca olvidaré. ?Paul McCartney Tomadas con una cámara de 35 mm por Paul McCartney, estas fotografías casi nunca vistas capturan el período explosivo, desde finales de 1963 hasta principios de 1964, en el que The Beatles se convirtieron en una sensación internacional y cambiaron el curso de la historia de la música. Con 275 imágenes de las seis ciudades (Liverpool, Londres, París, Nueva York, Washington, D.C. y Miami) de estos meses legendarios, 1964: Eyes of the Storm también incluye: * Un prólogo personal en el que McCartney recuerda el caos de la salas de conciertos, seguidas por la histeria que recibió a la banda en su primera visita a Estados Unidos * Recuerdos sinceros que preceden a cada carpeta de la ciudad que forman un relato autobiográfico del período que McCartney recuerda como los Ojos de la tormenta, más una coda con eventos posteriores en 1964 * Beatleland, un ensayo de la historiadora de Harvard y ensayista del New Yorker Jill Lepore, que describe cómo The Beatles se convirtieron en el primer fenómeno de la cultura de masas verdaderamente global Handsomely Design, 1964: Eyes of the Storm crea un registro intensamente dramático del primer viaje transatlántico de The Beatles, documentando el cambio radical en la cultura juvenil que cristalizó en 1964. Podrías sostener tu cámara frente al mundo, en 1964. Pero, ¿qué locura capturarías, qué belleza, qué alegría, qué furia? ?Jill Lepore 275 imágene...

-Titulo Original : Blue Skies A Novel-Fabricante : Liveright-Descripcion Original: Boyle’s satire has lost none of its edge over the course of a nearly half-century literary career . . . [Blue Skies is] an expert blend of suspense, terror and, occasionally, very black humor . . . this fiercely honest writer shows us what he sees and invites his readers to draw their own conclusions. Wendy Smith, Washington Post From best-selling novelist T. C. Boyle, a satirical yet ultimately moving send-up of contemporary American life in the glare of climate change. “Boyle has long been one of the most exciting and intelligent storytellers in the United States.” Ron Charles, Washington Post Denied a dog, a baby, and even a faithful fiance, Cat suddenly craves a snake: a glistening, writhing creature that can be worn like “jewelry, living jewelry” to match her black jeans. But when the budding social media star promptly loses the young “Burmie” she buys from a local pet store, she inadvertently sets in motion a chain of increasingly dire and outrageous events that comes to threaten her very survival. “Brilliantly imaginative . . . in a terrifying way” (Annie Proulx), Blue Skies follows in the tradition of T. C. Boyle’s finest novels, combining high-octane plotting with mordant wit and shrewd social commentary. Here Boyle, one of the most inventive voices in contemporary fiction, transports us to water-logged and heat-ravaged coastal America, where Cat and her hapless, nature-loving family including her eco-warrior parents, Ottilie and Frank; her brother, Cooper, an entomologist; and her frat-boy-turned-husband, Todd are struggling to adapt to the “new normal,” in which once-in-a-lifetime natural disasters happen once a week and drinking seems to be the only way to cope. But there’s more than meets the eye to this compulsive family drama. Lurking beneath the banal façade of twenty-first-century Californians and Floridians attempting to preserve normalcy in the face of violent weather perturbations is a caricature of materialist American society that doubles as a prophetic warning about our planet’s future. From pet bees and cricket-dependent diets to massive species die-off and pummeling hurricanes, Blue Skies deftly explores the often volatile relationships between humans and their habitats, in which “the only truism seems to be that things always get worse.” An eco-thriller with teeth, Boyle’s Blue Skies is at once a tragicomic satire and a prescient novel that captures the absurdity and “inexpressible sadness at the heart of everything....

-Titulo Original : Skinfolk A Memoir-Fabricante : Liveright-Descripcion Original: A haunting, poignant story of growing up in a mixed-race family in 1970s New Jersey, in the tradition of The Color of Water. Race is made, not born. It can materialize with a thunderous suddenness. It can happen to you in moments that will be cauterized into memory as if into flesh. Could a picturesque white house with a picket fence save the world? What if it was filled with children drawn together from around the globe? And what if, within the yard, the lines of kin and skin, of family and race, were deliberately knotted and twisted? In 1970, a wild-eyed dreamer, Bob Guterl, believed it could. Bob was determined to solve, in one stroke, the problems of overpopulation and racism. The charming, larger-than-life lawyer and his brilliant wife, Sheryl, a former homecoming queen, launched a radical experiment to raise their two biological sons alongside four children adopted from Korea, Vietnam, and the South Bronx the so-called war zones of the American century. They moved to rural New Jersey with dreams of creating what Bob described as a new Noah’s ark, filled with “two of every race.” While the venture made for a great photograph, with the proverbial “casseroles and potato chips out for everyone,” the Brady Brunch façade began to crack once reality seeped into the yard, adding undue complexity to the ordinary drama of a big family. Neighbors began to stare. Vacations went wrong. Joy and laughter commingled with discomfort and alienation. Familial bonds inevitably buckled. In the end, this picture-perfect family was no longer, and memories of the idyllic undertaking were marred by tragedy. In lyrical yet wrenching prose, Matthew Pratt Guterl, one of the children, narrates a family saga of astonishing originality, in which even the best intentions would prove woefully inadequate. He takes us inside the clapboard house where Bob and Sheryl raised their makeshift brood in a nation riven then as now by virulent racism and xenophobia. Chronicling both the humor and pathos of this experiment, he “opens a door to our dreams of what the idea of family might make possible.” In the tradition of James McBride’s The Color of Water, Skinfolk exposes the joys and constraints of love, blood, and belonging, and the persistent river of racial violence in America, past and present. 25 black-and-white illustration...

-Titulo Original : The Wandering Mind What Medieval Monks Tell Us About Distraction-Fabricante : Liveright-Descripcion Original: A revelatory account of how Christian monks identified distraction as a fundamental challenge and how their efforts to defeat it can inform ours, more than a millennium later. The digital era is beset by distraction, and it feels like things are only getting worse. At times like these, the distant past beckons as a golden age of attention. We fantasize about escaping our screens. We dream of recapturing the quiet of a world with less noise. We imagine retreating into solitude and singlemindedness, almost like latter-day monks. But although we think of early monks as master concentrators, a life of mindfulness did not, in fact, come to them easily. As historian Jamie Kreiner demonstrates in The Wandering Mind, their attempts to stretch the mind out to God to continuously contemplate the divine order and its ethical requirements were all-consuming, and their battles against distraction were never-ending. Delving into the experiences of early Christian monks living in the Middle East, around the Mediterranean, and throughout Europe from 300 to 900 CE, Kreiner shows that these men and women were obsessed with distraction in ways that seem remarkably modern. At the same time, she suggests that our own obsession is remarkably medieval. Ancient Greek and Roman intellectuals had sometimes complained about distraction, but it was early Christian monks who waged an all-out war against it. The stakes could not have been higher: they saw distraction as a matter of life and death. Even though the world today is vastly different from the world of the early Middle Ages, we can still learn something about our own distractedness by looking closely at monks’ strenuous efforts to concentrate. Drawing on a trove of sources that the monks left behind, Kreiner reconstructs the techniques they devised in their lifelong quest to master their minds from regimented work schedules and elaborative metacognitive exercises to physical regimens for hygiene, sleep, sex, and diet. She captures the fleeting moments of pure attentiveness that some monks managed to grasp, and the many times when monks struggled and failed and went back to the drawing board. Blending history and psychology, The Wandering Mind is a witty, illuminating account of human fallibility and ingenuity that bridges a distant era and our own. 30 black-and-white images throughout Review [Kreiner is] a wry and wonderful writer. In The Wandering Mind, she eschews nostalgia, rendering the past as it really was: riotously strange yet, when it comes to the problem of attention, annoyingly familiar . . . Kreiner is fascinating on the ways monks attempted to manipulate their memories and remake their minds, and on the urgency they brought to those tasks, knowing the dangers that lurked even if they eliminated all physical temptations. Casey Cep, New Yorker A life of prayer and seclusion has never meant a life without distraction. As Jamie Kreiner puts it in her new book, The Wandering Mind, the monks of late antiquity and the early Middle Ages (around A.D. 300 to 900) struggled mightily with attention....Charming. . . [Kreiner uses] the cultural obsession with distractibility to train our focus elsewhere, guiding us from the starting point of our own preoccupations to a greater understanding of how monks lived. Jennifer Szalai, New York Times A lucid and vivid examination of how early Christian monks created habits of contemplation to connect their minds to God, opening panoramic vistas of the universe that transcended both space and time. Ms. Kreiner, a professor of medieval history at the University of Georgia, also shares intriguing perspectives on our own values and priorities....The Wandering Mind focuses on more than the past, and its implications demand our attention. Dominic Green, Wall Street Journal As Kreiner elaborates in this smartly readable book, people who engage in exertions of concentration have likely been dealing with distract...

-Titulo Original : How To Make It In The New Music Business Practical Tips On Building A Loyal Following And Making A Living As A Musician-Fabricante : Liveright-Descripcion Original: From the Back Cover Praise for Ari Herstand and How to Make It in the New Music Business: An indispensable and comprehensive manual on how to navigate the modern music business. Forbes Its a fun and informative read for every artist out there looking to live off their creative craft. The book does a great job of explaining the process of generating royalties and crowdfunding goals, all while delivering important info in a witty and wise tone that’s comprehensive but never condescending. Joshua Kanter, Rolling Stone This is the single best book on the current music business. An absolute must-read for every musician. Derek Sivers, Sivers.org, founder of CD Baby Ari is at the front of the front. He gets it. Ive read a hundred how-to-make-it-in-the-music-biz books, and this one is todays definitive, comprehensive manual. Jack Conte, CEO of Patreon Incredibly valuable. Not just for musicians, but for entrepreneurs and anyone else wanting to succeed in the music business. Ari has written the ultimate guide on how to make it in the music business. Incredibly detailed yet fun to read, this is the book that generations of musicians will rely on to build their careers. Philip Kaplan, founder and CEO of DistroKid Ari understands this space. He gives a tremendous amount of information. Anyone wanting to make music for a living should read this, period. Peter Hollens, 1 billion YouTube/ video views The best ‘how to’ book of its kind. As a working artist himself, Herstand knows of what he speaks.... The book crackles with the actual experience of being a working artist. Highly recommended. Music Connection There is a great divide between what the young musician thinks being a rock star is and what actually working as a musician entails. Ari fills in the blanks with his lighthearted yet blunt demeanor. Hes the informed older brother most of us never got in this crazy, confusing industry. Andy Grammer, chart-topping singer/songwriter Ari Herstand is a leader in the DIY music movement and has written the perfect recipe for success. Patti Silverman, SF MusicTech Summit, SXSW There are few careers more difficult than being a professional musician, but How to Make It in the New Music Business will absolutely increase your chances of success. Ari Herstand is a fresh, emerging authority on a music industry that is just taking shape, and a fearless tour guide in a brand-new jungle. I highly recommend this for your music career. Paul Resnikoff, Publisher, Digital Music News There are a lot of books that attempt to describe how to make and do ‘it’ in the music business. What sets Ari apart is his not only his insatiable curiosity, research and conclusions but also the fact that he is a musician that has actually done the very ‘it’ he writes about. Reading Ari’s book teaches you what the music industry actually is, not what others think it should be. Jeff Price, Founder of Tunecore, Audiam No one has ever laid out a roadmap to a successful music career in today’s world as Ari has in his book. Covering things like proper etiquette when emailing promoters to getting your songs placed in film and TV, Ari expedites the sometimes tedious process of learning what it takes to be a professional musician. If you want to take your career seriously, read this book. Andrew Leib, Red Light Management The one book I wish I had when I started doing music four years ago. It’s the new bible for musicians. Gospel Lee, Billboard charting hip-hop artist Now Magazine: “Top 5 Music Business Books” Hailed as an “indispensable” guide (Forbes), How to Make It in the New Music Business returns in a significantly revised and expanded third edition. How to Make It in the New Music Business, since its first publication in 2016,?has become the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by ambitious individuals and music schools across the world a...

-Titulo Original : We Dont Know Ourselves A Personal History Of Modern Ireland-Fabricante : Liveright-Descripcion Original: Winner * 2021 An Post Irish Book Award Nonfiction Book of the Year * from the judges: “The most remarkable Irish nonfiction book I’ve read in the last 10 years”; “[A] book for the ages.” “We Don’t Know Ourselves is a feast: a deeply absorbing chronicle of the known and unknowable, and of the profound transformation of a place.” Patrick Radden Keefe, New York Times best-selling author of Say Nothing: A True Story of Murder and Memory in Northern Ireland A celebrated Irish writer’s magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government in despair, because all the young people were leaving opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us. 16 pages of illustrations Review A landmark history.... Leavened by the brilliance of OTooles insights and wit, and by the story of his own life, which he expertly intertwines into a larger historical narrative... [He] sees the countrys shift with an eye that is simultaneously critical and compassionate... OTooles is a wildly ambitious project, one that accounts for inevitable partiality precisely through this invocation of the personal. It is a winning gambit. Claire Messud, Harpers [M]asterly, fascinating . . . O’Toole, a journalist, historian and academic, is Ireland’s pre-eminent public intellectual . . . We Dont Know Ourselves is surely his masterpiece, a long detailed and beautifully executed study . . . O’Toole has a marvelously sharp eye for the illuminating fact, the telling anecdote, the overlooked or forgotten piece of history; but he also has a poets gift for figurative language. John Banville, Times Literary Supplement [S]parkling . . . we encounter O’Toole as a Zelig-like figure with an amusingly personal chain of connections to the great events and characters . . . the quiet heroes of We Don’t Know Ourselves are the Irish people, who O’Toole shows to h...

-Titulo Original : Floating In The Deep End How Caregivers Can See Beyond Alzheimers-Fabricante : Liveright-Descripcion Original: Review Davis writes about practical aspects of caregiving that she and other Beyond Alzheimer’s members have encountered.... Davis very eloquently describes feeling as if I was floating in the deep end, tossed by waves, carried by currents, but not drowning. Davis is a wise, thoughtful, empathetic, skilled, graceful support for the many people facing AD in a loved one. A must-read. Marcia G. Welch, Library Journal, starred review Her bracing narrative is a vital supportive resource for anyone navigating the choppy waters of Alzheimer’s within a familial network. A heartbreaking yet hopeful journey through the painful chaos of a loved one’s compassionate care. Kirkus Reviews With the heartfelt prose of a loving daughter, Patti Davis provides a life raft for the caregivers of Alzheimer’s patients. “For the decade of my father’s illness, I felt as if I was floating in the deep end, tossed by waves, carried by currents, but not drowning,” writes Patti Davis in this searingly honest and deeply moving account of the challenges involved in taking care of someone stricken with Alzheimer’s. When her father, the fortieth president of the United States, announced his Alzheimer’s diagnosis in an address to the American public in 1994, the world had not yet begun speaking about this cruel, mysterious disease. Yet overnight, Ronald Reagan and his immediate family became the face of Alzheimer’s, and Davis, once content to keep her family at arm’s length, quickly moved across the country to be present during “the journey that would take [him] into the sunset of [his] life.” Empowered by all she learned from caring for her father about the nature of the illness, but also about the loss of a parent Davis founded a support group for the family members and friends of Alzheimer’s patients. Along with a medically trained cofacilitator, she met with hundreds of exhausted and devastated attendees to talk through their pain and confusion. While Davis was aware that her own circumstances were uniquely fortunate, she knew there were universal truths about dementia, and even surprising gifts to be found in a long goodbye. With Floating in the Deep End, Davis draws on a welter of experiences to provide a singular account of battling Alzheimer’s. Eloquently woven with personal anecdotes and helpful advice tailored specifically for the overlooked caregiver, this essential guide covers every potential stage of the disease from the initial diagnosis through the ultimate passing and beyond. Including such tips as how to keep a loved one hygienic, and careful responses for when they drift to a time gone by, Davis always stresses the emotional milestones that come with slow-burning grief. Along the way, Davis shares how her own fractured family came together. With unflinching candor, she recalls when her mother, Nancy, who for decades could not show her children compassion or vulnerability, suddenly broke down in her arms. Davis also offers tender moments in which her father, a fabled movie star whom she always longed to know better, revealed his true self always kind, even when he couldn’t recognize his own daughter. An inherently wise work that promises to become a classic, Floating in the Deep End ultimately provides hope to struggling families while elegantly illuminating the fragile human condition. From the Back Cover “When President Ronald Reagan contacted [Alzheimer’s], his family like so many others began the long journey toward ultimate acceptance and peace. The president’s daughter Patti Davis knows firsthand the pain of that journey and helps others, as well, find the strength to walk it with courage and faith. Floating in the Deep End is a stunning account of an all-too familiar experience. It takes the reader into the deeper mysteries of Alzheimer’s, including not only its cruelty but also its gifts to the vulnerable heart.” Marianne Williamson “Patti Davis draws upon her experience as the daughter of the most ...

-Titulo Original : The Great Air Race Glory, Tragedy, And The Dawn Of American Aviation-Fabricante : Liveright-Descripcion Original: The incredible, untold story of the men who risked their lives in the first transcontinental air contest and put American aviation on the map.The Great Air Race reclaims one of the most important moments in the history of American aviation: the transcontinental air race of October 1919 that saw scores of pilots compete for the fastest roundtrip time between New York and San Francisco in frail, open-cockpit biplanes. Riveting the nation, the aviators most of them veterans of the Great War pioneered the first coast-to-coast air route, braving blizzards and driving rain as they landed in fields or at the edges of cliffs. Bringing the pilots and the race’s impresario, Billy Mitchell, to vivid life, journalist and amateur pilot John Lancaster captures the challenges of flying in that almost prehistoric age the deafening roar of the engine, the constant fear of mechanical failure, the threat posed by mere rain. As he demonstrates, the race, despite much drama and tragedy, was a milestone in the development of commercial aviation. The Great Air Race is a captivating story of man and machine, and the debut of a major new popular historian. 8 pages of black-and-white illustrations and 10 images throughout About the Author John Lancaster is a journalist who spent most of his career at the Washington Post, including eight years as a foreign correspondent. His writing has also appeared in National Geographic and the New Republic, among other publications. He lives in Washington, DC...

-Titulo Original : The Metaverse And How It Will Revolutionize Everything-Fabricante : Liveright-Descripcion Original: Review Just as the present internet can be described as a network of networks, so the metaverse will be the virtual world of all virtual worlds. This is the vision offered in The Metaverse: And How It Will Revolutionize Everything by Matthew Ball . . . Ultimately, the fundamental question [Ball addresses] has to do with the social value of the metaverse: Can a human life spent in a virtual world still flourish? [Ball believes] that it can. The structures of our personal and social lives . . . are just as meaningful whether the substrate is our physical reality or a digital world . . . What, by the way, will happen to the real world that so many of us are supposedly eager to leave behind? Mr. Ball is excellent on the enormous infrastructure investments required to build a metaverse. Steven Poole, Wall Street Journal Mr. Ball’s summary of the history of virtual worlds, in both fiction and computer science, provides helpful context. But his book’s most valuable contribution may prove to be his definition of the metaverse . . . For anyone who wants to understand the process [of building the metaverse] and what is at stake, Mr. Ball’s lucid and timely book offers a portal into a new realm. The Economist This is the big reason why Matthew Ball is so influential in shaping our understanding of a conceptual metaverse: he is a skilled communicator and writer with clarity of thought. His book is a showcase of this talent as he traces the contours of our theoretical, collective future. Matthew goes beyond jargon and marketing smoke and mirrors to shine a light on the challenges of evolving the internet. His book is essential reading to anyone interested not just in what digital life may evolve into, but how we’ve already evolved with it throughout time. Gene Park, reporter, Washington Post [In] The Metaverse, Matthew Ball explains how it could operate in practice and explores how it might turn out to be a lot more exciting and beneficial invention than the miserabilists imagine, so long as we help shape its evolution . . . [written] in an informed and provocative style . . . it serves as a comprehensive guide to every aspect of the metaverse, from its technical underpinnings to its societal responsibilities. John Thornhill, Financial Times The Metaverse: And How It Will Revolutionize Everything, offers a better understanding of the metaverse than the novel that coined the term ? 1992’s Snow Crash . . . it tactfully toes the line between enthusiasm and skepticism while weighing possible futures against infrastructural realities . . . A tour of metaverse concepts from heady theory to gritty technicalities Cecilia DAnastasio, Bloomberg Ball [is] clear and transparent on his assumptions and ground[s] his discussion in real data and facts. His analysis then manages to integrate logic, humor, and an appropriate degree of skepticism of the most extreme claims, often made by those with vested interests. The result is an entertaining and thought-provoking guide to the coming alternative virtual world that should prove indispensable to not just users and developers but investors, competitors, and regulators. Jonathan A. Knee, Business Insider Matthew is the leading thinker on the metaverse and gaming, one of the leading thinkers on media… The Metaverse: And How It Will Revolutionize Everything, in my opinion, [is] the very best book on its topic… [I] recommend highly. Tyler Cowen, Conversations with Tyler [Ball’s] book puts some meat behind the buzzword . . . his arguments are rooted in reality, and his optimism is tempered with the murkiness of real life . . . a good read that handles the hard work of describing the technology and defining the metaverse in elegant ways that don’t sacrifice all of the complexity. And so it’s worth your time, particularly if you want to know what the future is going to be about and whether the metaverse will truly generate trillions of dollars in new wealth. Dean Takahashi,...

-Titulo Original : Indigenous Continent The Epic Contest For North America-Fabricante : Liveright-Descripcion Original: NATIONAL BESTSELLER New York Times * 15 Works of Nonfiction to Read This Fall Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction [A] towering achievement. By gathering the experiences of multiple Native peoples across an astounding expanse of time and space Indigenous Continent explodes the view that American history unfolded inexorably according to European and American design. Andrew Graybill, The American Scholar A prize-winning scholar rewrites 400 years of American history from Indigenous perspectives, overturning the dominant origin story of the United States. There is an old, deeply rooted story about America that goes like this: Columbus “discovers” a strange continent and brings back tales of untold riches. The European empires rush over, eager to stake out as much of this astonishing “New World” as possible. Though Indigenous peoples fight back, they cannot stop the onslaught. White imperialists are destined to rule the continent, and history is an irreversible march toward Indigenous destruction. Yet as with other long-accepted origin stories, this one, too, turns out to be based in myth and distortion. In Indigenous Continent, acclaimed historian Pekka Hamalainen presents a sweeping counternarrative that shatters the most basic assumptions about American history. Shifting our perspective away from Jamestown, Plymouth Rock, the Revolution, and other well-trodden episodes on the conventional timeline, he depicts a sovereign world of Native nations whose members, far from helpless victims of colonial violence, dominated the continent for centuries after the first European arrivals. From the Iroquois in the Northeast to the Comanches on the Plains, and from the Pueblos in the Southwest to the Cherokees in the Southeast, Native nations frequently decimated white newcomers in battle. Even as the white population exploded and colonists’ land greed grew more extravagant, Indigenous peoples flourished due to sophisticated diplomacy and leadership structures. By 1776, various colonial powers claimed nearly all of the continent, but Indigenous peoples still controlled it as Hamalainen points out, the maps in modern textbooks that paint much of North America in neat, color-coded blocks confuse outlandish imperial boasts for actual holdings. In fact, Native power peaked in the late nineteenth century, with the Lakota victory in 1876 at Little Big Horn, which was not an American blunder, but an all-too-expected outcome. Hamalainen ultimately contends that the very notion of “colonial America” is misleading, and that we should speak instead of an “Indigenous America” that was only slowly and unevenly becoming colonial. The evidence of Indigenous defiance is apparent today in the hundreds of Native nations that still dot the United States and Canada. Necessary reading for anyone who cares about America’s past, present, and future, Indigenous Continent restores Native peoples to their rightful place at the very fulcrum of American history. 42 black-and-white images and 10 maps Review [A] towering achievement. By gathering the experiences of multiple Native peoples across an astounding expanse of time and space Indigenous Continent explodes the view that American history unfolded inexorably according to European and American design. Andrew Graybill, The American Scholar Oxford University scholar Hamalainen (Lakota America) delivers a sweeping and persuasive corrective to the notion that “history itself is a linear process that moves irreversibly toward Indigenous destruction.” Reorienting the history of the Western Hemisphere away from “European ambitions, European perspectives, and European sources,” he focuses instead on the “overwhelming and persistent Indigenous power” that lasted in North America from 10000 BCE until the end of the 19th century. Throughout, Hamalainen highlights the agency, resilience, diversity, and kinship of Indigenous peoples.... Skillfully shifting a...

-Titulo Original : The Cause: The American Revolution And Its Discontents, 1773-1783-Fabricante : Liveright-Descripcion Original: New York Times Book Review Editors’ Choice * Chicago Tribune 60 Best Reads for Right Now * St. Louis Post-Dispatch 50 Fall Books You Should Consider ReadingChallenging conventional wisdom,?The?Cause?offers a “necessary” (John S. Gardner, Guardian) account of the origins and clashing ideologies of America’s revolutionary era.For Pulitzer Prize-winning historian Joseph J. Ellis, The Cause marks the culmination of a lifetime of engagement with the founding era, completing a trilogy of books that began with Founding Brothers. Here Ellis, countering popular histories that romanticize the “Spirit of ’76,” demonstrates through “evocative profiles of British loyalists, slaves, Native Americans and soldiers uncertain of what was being founded” (Christopher Borrelli, Chicago Tribune) that the rebels fought not for a nation but under the mantle of “The Cause,” a mutable, conveniently ambiguous principle all but destined to give rise to the warring factions of later American history. Combining action-packed tales of North American military campaigns with characteristically trenchant insight, The Cause “deftly foreshadows all the issues that would complicate America’s trajectory” (Richard Stengel, New York Times Book Review), forcing us to finally reconsider the story we have long told ourselves about our origins as a people, and as a nation.“At the intersection of his expertise and our need for coherence about our national founding arrives historian Joseph J. Ellis. . . . Ellis is no apologist, but he is a chronicler of the entire revolution, its best aspirations, its worst contradictions, and its ongoing dilemmas.” Hugh Hewitt, Washington Post 6 black-and-white images and 7 maps Review Masterly.... Underscore[s] that the signers failed to deal with some awfully big problems.... Deftly foreshadows all the issues that would complicate America’s trajectory and ends with a historical cliffhanger: Would the Republic survive? It did, but only when the Constitution became the embodiment of The Cause.... As Ellis points out, the word democracy back then was more suggestive of mob rule than reasoned deliberation. Richard Stengel, New York Times Book Review[A] carefully wrought, highly engaging reality check on the elusive character of the American Revolution... Ellis, a winner of the Pulitzer Prize and a National Book Award for previous works, is sensitive to contested vocabularies... [He] knows that words always matter and that the Revolution wasn’t all glorious or miraculous. He regularly reminds us of what it wasn’t.... With its combined examination of tactics and atmospherics, The Cause is a serious (and seriously entertaining) book and a lively addition to the literature. It is told in the breezy manner that fans of the author have come to expect. All in all, it provides a clear and fair-minded assessment of men and women and issues that mattered at a time when everything mattered. Andrew Burstein, Washington PostThe Cause comes across as a special gift, the book the author most wanted to write to the reader from the great scholar. Robert S. Davis, New York Review of BooksPulitzer Prize-winning and bestselling historian Joseph J. Ellis superbly captures the issues, personalities and events of the American Revolution... Using rigorous scholarship, Ellis offers vivid portraits of and penetrating insights about this period in history, while challenging our conventional understandings of it... This riveting, highly recommended book by one of America’s major historians will change how you see the American Revolution. Roger Bishop, BookPage, starred review[A] speedy retelling of the nation’s stumbling, fractured founding, through evocative profiles of British loyalists, slaves, Native Americans and soldiers uncertain of what was being founded. Christopher Borrelli, Chicago TribuneThe colonists didn’t describe their war for independence as the American Revolution, Pulitzer winner...

-Titulo Original : Born In Blackness Africa, Africans, And The Making Of The Modern World, 1471 To The Second World War-Fabricante : Liveright-Descripcion Original: Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history.Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity?In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not as we are so often told, even today Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa.Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history.While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories siloed and piecemeal were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day.“Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world. 20 black-and-white images and 4 maps Review This book is filled with countless eyeopeners… All history is, by definition, revisionist. In connecting the various dots, French is inviting us to reconsider what we understand about how we got here.... Painful and necessary… [an] infuriating and hugely enlightening book. Dele Olojede, Financial TimesThe way we think about history is entirely wrong, says Howard W French at the start of this magnificent, powerful and absorbing book.... This is not a comfortable or comforting read, but it is beautifully done; a masterpiece even.... French writes with the elegance you would expect from a distinguished foreign correspondent, and with the passion of someone deeply committed to providing a ...

-Titulo Original : Home In The World A Memoir-Fabricante : Liveright-Descripcion Original: From Nobel Prize winner Amartya Sen, a long-awaited memoir about home, belonging, inequality, and identity, recounting a singular life devoted to betterment of humanity.The Nobel laureate Amartya Sen is one of a handful of people who may truly be called “a global intellectual” (Financial Times). A towering figure in the field of economics, Sen is perhaps best known for his work on poverty and famine, as inspired by events in his boyhood home of West Bengal, India. But Sen has, in fact, called many places “home,” including Dhaka, in modern Bangladesh; Kolkata, where he first studied economics; and Trinity College, Cambridge, where he engaged with the greatest minds of his generation.In Home in the World, these “homes” collectively form an unparalleled and profoundly truthful vision of twentieth- and twenty-first-century life. Here Sen, “one of the most distinguished minds of our time” (New York Review of Books), interweaves scenes from his remarkable life with candid philosophical reflections on economics, welfare, and social justice, demonstrating how his experiences in Asia, Europe, and later America vitally informed his work. In exquisite prose, Sen evokes his childhood travels on the rivers of Bengal, as well as the “quiet beauty” of Dhaka. The Mandalay of Orwell and Kipling is recast as a flourishing cultural center with pagodas, palaces, and bazaars, “always humming with intriguing activities.”With characteristic moral clarity and compassion, Sen reflects on the cataclysmic events that soon tore his world asunder, from the Bengal famine of 1943 to the struggle for Indian independence against colonial tyranny and the outbreak of political violence that accompanied the end of British rule. Witnessing these lacerating tragedies only amplified Sen’s sense of social purpose. He went on to study famine and inequality, wholly reconstructing theories of social choice and development. In 1998, he was awarded the Nobel Prize for his contributions to welfare economics, which included a fuller understanding of poverty as the deprivation of human capability. Still Sen, a tireless champion of the dispossessed, remains an activist, working now as ever to empower vulnerable minorities and break down walls among warring ethnic groups.As much a book of penetrating ideas as of people and places, Home in the World is the ultimate “portrait of a citizen of the world” (Spectator), telling an extraordinary story of human empathy across distance and time, and above all, of being at home in the world. 6 photographs Review Stirred in with Mr. Sen’s memories, which are bright in their detail and freshness, are meditations of various sorts: on the balance-sheet of British rule in India; on the importance of classical languages in a young person’s education; on the philosophical disagreements (of which there were many) between Mahatma Gandhi and the poet Rabindranath Tagore (like Mr. Sen, a Nobel laureate and Bengali); on the ghastly Bengal famine of 1943, which killed three million people; and on the differences between Britain and the U.S. in their respective approaches to an understanding of economics. . . . The most compelling chapters of Mr. Sen’s memoirs are... those that dwell lovingly even languorously on his childhood and schooling. . . . [Sen] is an unflinching man of science but also insistently humane. His many ardent admirers regard him as an economist for the downtrodden. How he arrived at his status of global progressive icon would make a compelling storyline for his next memoir. Tunku Varadarajan, Wall Street Journal[A] graceful and hopeful book... [A] belief in shared humanity, and an attendant commitment to inclusiveness and tolerance, have been significant to Sen’s body of work, including his desire to connect abstract economic theories with real people and real problems... He joyfully recalls his undergraduate studies in Calcutta, where he spent hours in a local coffeehouse in intense conve...

-Titulo Original : Rebels At Sea Privateering In The American Revolution-Fabricante : Liveright-Descripcion Original: The bestselling author of Black Flags, Blue Waters reclaims the daring freelance sailors who proved essential to the winning of the Revolutionary War.The heroic story of the founding of the U.S. Navy during the Revolution has been told many times, yet largely missing from maritime histories of America’s first war is the ragtag fleet of private vessels that truly revealed the new nation’s character above all, its ambition and entrepreneurial ethos.In Rebels at Sea, best-selling historian Eric Jay Dolin corrects that significant omission, and contends that privateers, as they were called, were in fact critical to the American victory. Privateers were privately owned vessels, mostly refitted merchant ships, that were granted permission by the new government to seize British merchantmen and men of war. As Dolin stirringly demonstrates, at a time when the young Continental Navy numbered no more than about sixty vessels all told, privateers rushed to fill the gaps. Nearly 2,000 set sail over the course of the war, with tens of thousands of Americans serving on them and capturing some 1,800 British ships. Privateers came in all shapes and sizes, from twenty-five foot long whaleboats to full-rigged ships more than 100 feet long. Bristling with cannons, swivel guns, muskets, and pikes, they tormented their foes on the broad Atlantic and in bays and harbors on both sides of the ocean.The men who owned the ships, as well as their captains and crew, would divide the profits of a successful cruise and suffer all the more if their ship was captured or sunk, with privateersmen facing hellish conditions on British prison hulks, where they were treated not as enemy combatants but as pirates. Some Americans viewed them similarly, as cynical opportunists whose only aim was loot. Yet Dolin shows that privateersmen were as patriotic as their fellow Americans, and moreover that they greatly contributed to the war’s success: diverting critical British resources to protecting their shipping, playing a key role in bringing France into the war on the side of the United States, providing much-needed supplies at home, and bolstering the new nation’s confidence that it might actually defeat the most powerful military force in the world.Creating an entirely new pantheon of Revolutionary heroes, Dolin reclaims such forgotten privateersmen as Captain Jonathan Haraden and Offin Boardman, putting their exploits, and sacrifices, at the very center of the conflict. Abounding in tales of daring maneuvers and deadly encounters, Rebels at Sea presents this nation’s first war as we have rarely seen it before. 105 black-and-white images throughout, 8-page color insert Review Dolin’s valuable achievement in recognizing and honoring these sailors’ oft-ignored contributions to American independence more fully fleshes out American naval history. Mark Knoblauch, Booklist, starred reviewScholars and general readers will enhance their knowledge of an often-neglected yet essential aspect of Revolutionary War history with Dolin’s cogent, absorbing, thoroughly researched account. Margaret Kappanadze, Library Journal, starred reviewThe bestselling maritime historian returns with a study of privateering activity during the Revolutionary War and its role in bolstering the Colonial cause . . . In this exciting narrative, Dolin, a 2020 Kirkus Prize finalist for A Furious Sky, demonstrates how privateering was a key element in America’s ability to secure independence . . . The author digs deep into the whole enterprise . . . In this characteristically well-researched history, Dolin describes the vital activities of two main types of privateers . . . The author also explores in fascinating detail the desperate circumstances of captured Americans aboard British prison ships . . . A thrilling, unique contribution to the literature on the American Revolution. Kirkus Reviews[A] spirited account . . . The book’s greatest strength are the up...

-Titulo Original : Jesus And John Wayne How White Evangelicals Corrupted A Faith And Fractured A Nation-Fabricante : Liveright-Descripcion Original: NEW YORK TIMES BESTSELLERThe “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America.Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism or in the words of one modern chaplain, with “a spiritual badass.”As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done.Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans. 15 black-and-white illustrations Review [Du Mez’s] astonishing gifting was in the way she took 1000 puzzle pieces and fit them together. I don’t swallow books whole but the evidence for much of what she’s written is staring us in the face. Beth Moore, on Twitter From the Back Cover “Paradigm-influencing. . . A very readable page-turner.” Scot McKnight, Christianity Today“Jesus and John Wayne is a tour-de-force indictment of the white evangelical cult of masculinity.” Michael Rea, Salon“[N]ot only one of the most important books on religion and the 2016 elections but one of the most important books on post-1945 American evangelicalism published in the past four decades.” Jon Butler, Church History“I hear people say all the time that Trump’s election was a tragedy for evangelicals, but after reading [this] book, I wonder if it isn’t their greatest victory.” Sean Illing, Vox“Brilliant and engaging . . . Across chapters ranging from ‘John Wayne Will Save Your Ass’ to ‘Holy Balls,’ Du Mez peppers her text with entertaining (and sometimes horrifying) examples.” Matthew Avery Sutton, The New Republic“It is impossible to do justice to the richness of Jesus and John Wayne in a short review, but one of the key points the book stresses is that as Christian nationalists, the vast majority of white evangelicals believe that our country’s flourishing depends on aggressive male leadership. The pervasive abusive patterns of white evangelical subculture replicate themselves on a large social scale in the Christian Right’s politics. Since understanding this will be crucial if Americans are to have a functional democratic future, Jesus and John Wayne is a book that America needs now.” Chrissy Stroop, Boston Globe“A much needed and painstakingly accurate chronicle of exactly ‘where many evangelicals are,’ and the long road...

-Titulo Original : Germany A Nation In Its Time Before, During, And After Nationalism, 1500-2000-Fabricante : Liveright-Descripcion Original: The first major history of Germany in a generation, a work that presents a five-hundred-year narrative that challenges our traditional perceptions of Germany’s conflicted past.For nearly a century, historians have depicted Germany as a rabidly nationalist land, born in a sea of aggression. Not so, says Helmut Walser Smith, who, in this groundbreaking 500-year history the first comprehensive volume to go well beyond World War II challenges traditional perceptions of Germany’s conflicted past, revealing a nation far more thematically complicated than twentieth-century historians have imagined.Smith’s dramatic narrative begins with the earliest glimmers of a nation in the 1500s, when visionary mapmakers and adventuresome travelers struggled to delineate and define this embryonic nation. Contrary to widespread perception, the people who first described Germany were pacific in temperament, and the pernicious ideology of German nationalism would only enter into the nation’s history centuries later. Tracing the significant tension between the idea of the nation and the ideology of its nationalism, Smith shows a nation constantly reinventing itself and explains how radical nationalism ultimately turned Germany into a genocidal nation.Smith’s aim, then, is nothing less than to redefine our understanding of Germany: Is it essentially a bellicose nation that murdered over six million people? Or a pacific, twenty-first-century model of tolerant democracy? And was it inevitable that the land that produced Goethe and Schiller, Heinrich Heine and Kathe Kollwitz, would also carry out genocide on an unprecedented scale?Combining poignant prose with an historian’s rigor, Smith recreates the national euphoria that accompanied the beginning of World War I, followed by the existential despair caused by Germany’s shattering defeat. This psychic devastation would simultaneously produce both the modernist glories of the Bauhaus and the meteoric rise of the Nazi party.Nowhere is Smith’s mastery on greater display than in his chapter on the Holocaust, which looks at the killing not only through the tragedies of Western Europe but, significantly, also through the lens of the rural hamlets and ghettos of Poland and Eastern Europe, where more than 80% of all the Jews murdered originated. He thus broadens the extent of culpability well beyond the high echelons of Hitler’s circle all the way to the local level. Throughout its pages, Germany also examines the indispensable yet overlooked role played by German women throughout the nation’s history, highlighting great artists and revolutionaries, and the horrific, rarely acknowledged violence that war wrought on women.Richly illustrated, with original maps created by the author, Germany: A Nation in Its Time is a sweeping account that does nothing less than redefine our understanding of Germany for the twenty-first century. 80 illustrations About the Author Helmut Walser Smith is the Martha Rivers Ingram Professor of History at Vanderbilt University, a recipient of the Guggenheim Fellowship, and the author of the acclaimed The Butcher’s Tale: Murder and Anti-Semitism in a German Town. He lives in Nashville, Tennessee...

-Titulo Original : The Call Of Cthulhu And Other Stories-Fabricante : Liveright-Descripcion Original: The essential literary collection of H. P. Lovecraft’s ten finest short stories, from the celebrated editor of the two-volume New Annotated H. P. Lovecraft.An indispensable collection of the best of one of literature’s “most critically fascinating and yet enigmatic figures” (Alan Moore), featuring H. P. Lovecraft’s most bone-chilling tales, including: “Dagon”, “The Outsider”, “The Music of Erich Zann”, “The Rats in the Walls”, “The Call of Cthulhu, “The Colour Out of Space”, “The Dunwich Horror”, “The Shadow over Innsmouth”, “The Shadow Out of Time” and “The Haunter of the Dark”.Though he died an unknown, dejected pulp-magazine writer in 1937, Howard Phillips Lovecraft is now considered the first great “genius of weird fiction” (Peter Straub). There is no better guide through the peculiarities of his universe than Leslie S. Klinger, whose work as annotator of the “exciting and definitive” (Danielle Trussoni, New York Times Book Review) New Annotated H. P. Lovecraft has proven him a leading Lovecraft scholar. Keenly aware of the author’s inspiration of “dozens hundreds of stories written by others playing in [his] galactic sandbox,” Klinger now presents this essential reader’s edition for both fanatics and newcomers to the canon. Equipped with explanatory annotations and sharp historical insight, this highly accessible?collection features Lovecraft’s ten most profound and unnerving short stories. From the early tale “Dagon” to the mature and sprawling “The Haunter of the Dark,” these expertly curated stories built a Lovecraftian sense of dread that has reverberated in the world of horror literature for generations: that all of us are “outsiders” in the universe. 11 black-and-white photographs Review Lovecrafts stories remain as harrowing and strange as they ever were, and their enduring influence makes them essential reads for horror fans. Klingers annotations provide valuable context about Lovecrafts influences and the time in which he wrote, but they are perhaps most fascinating in their focus on the recurring themes found in his work . . . Klingers annotations help to identify and track these thoughts, sometimes referencing Lovecrafts own notes and letters in helping readers unravel the authors complicated web of preoccupations. What emerges, alongside 10 excellent short stories, is a fuller understanding of Lovecrafts disturbing belief that humanity is an insignificant species when measured against the ancient, malign universe. Hank Stephenson, Shelf Awareness From the Back Cover Praise for The New Annotated H. P. Lovecraft“Annotator Les Klinger is the man you want to have by your side, as you explore the Lovecraftian Darkness.” Neil Gaiman“I am utterly gobsmacked. . . . [A]n Olympian landmark of modern gothic literature.” Harlan Ellison About the Author H. P. Lovecraft (1890-1937) is regarded as the most influential twentieth-century American author of weird fiction.Leslie S. Klinger is the multi-award-winning author of The New Annotated Sherlock Holmes, New Annotated Dracula, New Annotated Frankenstein, and The New Annotated H. P. Lovecraft, Volumes I and II. He lives in Los Angeles, California...

-Titulo Original : The Stone Reader Modern Philosophy In 133 Arguments-Fabricante : Liveright-Descripcion Original: A timeless volume to be read and treasured, The Stone Reader provides an unparalleled overview of contemporary philosophy.Once solely the province of ivory-tower professors and college classrooms, contemporary philosophy was finally emancipated from its academic closet in 2010, when The Stone was launched in The New York Times. First appearing as an online series, the column quickly attracted millions of readers through its accessible examination of universal topics like the nature of science, consciousness and morality, while also probing more contemporary issues such as the morality of drones, gun control and the gender divide.Now collected for the first time in this handsomely designed volume, The Stone Reader presents 133 meaningful and influential essays from the series, placing nearly the entirety of modern philosophical discourse at a reader’s grasp. The book, divided into four broad sections Philosophy, Science, Religion and Morals, and Society opens with a series of questions about the scope, history and identity of philosophy: What are the practical uses of philosophy? Does the discipline, begun in the West in ancient Greece with Socrates, favor men and exclude women? Does the history and study of philosophy betray a racial bias against non-white thinkers, or geographical bias toward the West?These questions and others form a foundation for readers as the book moves to the second section, Science, where some of our most urgent contemporary philosophical debates are taking place. Will artificial intelligence compromise our morality? Does neuroscience undermine our free will? Is there is a legitimate place for the humanities in a world where science and technology appear to rule? Should the evidence for global warming change the way we live, or die?In the book’s third section, Religion and Morals, we find philosophy where it is often at its best, sharpest and most disturbing working through the arguments provoked by competing moral theories in the face of real-life issues and rigorously addressing familiar ethical dilemmas in a new light. Can we have a true moral life without belief in God? What are the dangers of moral relativism?In its final part, Society, The Stone Reader returns to its origins as a forum to encourage philosophers who are willing to engage closely, critically and analytically with the affairs of the day, including economic inequality, technology and racial discrimination. In directly confronting events like the September 11 attacks, the killing of Trayvon Martin, the Sandy Hook School massacre, the essays here reveal the power of philosophy to help shape our viewpoints on nearly every issue we face today.With an introduction by Peter Catapano that details the column’s founding and distinct editorial process at The New York Times, and prefatory notes to each section by Simon Critchley, The Stone Reader promises to become not only an intellectual landmark but also a confirmation that philosophy is, indeed, for everyone. 50 illustrations About the Author Peter Catapano is an award-winning opinion editor at the New York Times and the coeditor of several books, including About Us: Essays from the Disability Series of the New York Times.Simon Critchley is a best-selling author and the Hans Jonas Professor of Philosophy at the New School for Social Research. His many books include The Book of Dead Philosophers, Bowie, and Tragedy, the Greeks, and Us...

-Titulo Original : Home In The World A Memoir-Fabricante : Liveright-Descripcion Original: From Nobel Prize winner Amartya Sen, a long-awaited memoir about home, belonging, inequality, and identity, recounting a singular life devoted to betterment of humanity.The Nobel laureate Amartya Sen is one of a handful of people who may truly be called “a global intellectual” (Financial Times). A towering figure in the field of economics, Sen is perhaps best known for his work on poverty and famine, as inspired by events in his boyhood home of West Bengal, India. But Sen has, in fact, called many places “home,” including Dhaka, in modern Bangladesh; Kolkata, where he first studied economics; and Trinity College, Cambridge, where he engaged with the greatest minds of his generation.In Home in the World, these “homes” collectively form an unparalleled and profoundly truthful vision of twentieth- and twenty-first-century life. Here Sen, “one of the most distinguished minds of our time” (New York Review of Books), interweaves scenes from his remarkable life with candid philosophical reflections on economics, welfare, and social justice, demonstrating how his experiences in Asia, Europe, and later America vitally informed his work. In exquisite prose, Sen evokes his childhood travels on the rivers of Bengal, as well as the “quiet beauty” of Dhaka. The Mandalay of Orwell and Kipling is recast as a flourishing cultural center with pagodas, palaces, and bazaars, “always humming with intriguing activities.”With characteristic moral clarity and compassion, Sen reflects on the cataclysmic events that soon tore his world asunder, from the Bengal famine of 1943 to the struggle for Indian independence against colonial tyranny and the outbreak of political violence that accompanied the end of British rule. Witnessing these lacerating tragedies only amplified Sen’s sense of social purpose. He went on to study famine and inequality, wholly reconstructing theories of social choice and development. In 1998, he was awarded the Nobel Prize for his contributions to welfare economics, which included a fuller understanding of poverty as the deprivation of human capability. Still Sen, a tireless champion of the dispossessed, remains an activist, working now as ever to empower vulnerable minorities and break down walls among warring ethnic groups.As much a book of penetrating ideas as of people and places, Home in the World is the ultimate “portrait of a citizen of the world” (Spectator), telling an extraordinary story of human empathy across distance and time, and above all, of being at home in the world. 6 black-and-white photographs Review Stirred in with Mr. Sen’s memories, which are bright in their detail and freshness, are meditations of various sorts: on the balance-sheet of British rule in India; on the importance of classical languages in a young person’s education; on the philosophical disagreements (of which there were many) between Mahatma Gandhi and the poet Rabindranath Tagore (like Mr. Sen, a Nobel laureate and Bengali); on the ghastly Bengal famine of 1943, which killed three million people; and on the differences between Britain and the U.S. in their respective approaches to an understanding of economics. . . . The most compelling chapters of Mr. Sen’s memoirs are... those that dwell lovingly even languorously on his childhood and schooling. . . . [Sen] is an unflinching man of science but also insistently humane. His many ardent admirers regard him as an economist for the downtrodden. How he arrived at his status of global progressive icon would make a compelling storyline for his next memoir. Tunku Varadarajan, Wall Street Journal[A] graceful and hopeful book... [A] belief in shared humanity, and an attendant commitment to inclusiveness and tolerance, have been significant to Sen’s body of work, including his desire to connect abstract economic theories with real people and real problems... He joyfully recalls his undergraduate studies in Calcutta, where he spent hours in a local coffeehouse ...

-Titulo Original : We Dont Know Ourselves A Personal History Of Modern Ireland-Fabricante : Liveright-Descripcion Original: “[L]ike reading a great tragicomic Irish novel.” James Wood, The New Yorker “Masterful . . . astonishing.” Cullen Murphy, The Atlantic A landmark history . . . Leavened by the brilliance of OTooles insights and wit.” Claire Messud, Harper’s Winner * 2021 An Post Irish Book Award Nonfiction Book of the Year * from the judges: “The most remarkable Irish nonfiction book I’ve read in the last 10 years”; “[A] book for the ages.” A celebrated Irish writer’s magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world.Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government in despair, because all the young people were leaving opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society perhaps the most astonishing national transformation in modern history.Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis.A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us. 16 pages of color illustrations Review [O’Toole] develop[s] a narrative swagger as compelling as any novel’s. His working-class Dublin background his father, Sammy, was a bus conductor and his mother, Mary, worked in a cigarette factory opens onto a sort of narrative everywhere. The tiny grows epic. The local becomes universal. We skip from year to year, from story to story, from tile-piece to an eventual mosaic . . . O’Toole writes brilliantly and compellingly of the dark times, but he is graceful enough to know that there is humor and light in the cracks. There is a touch of Eduardo Galeano in the way he can settle on a telling phrase. . . . But the real accomplishment of this book is that it achieves a conscious form of history-telling, a personal hybrid that feels distinctly honest and humble at the same time. O’Toole has not invented the form, but he comes close to perfecting it. Colum McCann, New York Times Book Review, cover review[L]ike reading a great tragicomic Irish novel, rich in memoir and record, calamity and critique. The book contains funny and terrible things, details and episodes so pungent that they must surely have been stolen from a fantastical artificer like Flann O’Brien . ...

-Titulo Original : The Word of Dog: What Our Canine Companions Can Teach Us About Living a Good Life-Fabricante : Liveright-Descripcion Original: A heartwarming philosophical meditation on how to live a fulfilling life inspired by the inherent happiness of dogs. If you have spent any part of your life with a dog, you may have found certain questions popping, unbidden, into your mind: Is my dog living a fulfilled life? Is my dog a good dog? Does my dog love me? Addressing these questions compels you to confront not just your dog’s life but yours as well to think about what fulfillment, and meaning, in life really is. In The Word of Dog, philosopher Mark Rowlands explores these questions and suggests that in dogs we can see hints faint, shrouded, but discernible of what a better way of living might look like. Perhaps none of us can be happy in the way a dog can, but The Word of Dog shows us we could do a lot better than we’re doing simply by listening to the unspoken wisdom our dogs reveal to us every day of their happy, uncomplicated lives...

-Titulo Original : Trust: America's Best Chance-Fabricante : Liveright-Descripcion Original: Secretary of Transportation Pete Buttigieg demonstrates how a breakdown of trust has brought our nation to the brink of disaster and how its restoration for all can reclaim America’s future. In a century warped by terrorism, Trumpist populism, systemic racism, financial collapse, and a global pandemic, trust in our institutions, in each other, and in the American project itself has precipitously eroded. We are now experiencing the disastrous consequences of a “crisis in trust,” writes Pete Buttigieg, former presidential candidate and best-selling author of Shortest Way Home. In this arresting, impassioned account, Buttigieg contends that our success or failure in confronting the greatest challenges of the decade will rest on whether we can effectively cultivate, deepen, and, where necessary, repair the networks of trust that are now endangered, or for so many, never even existed. Interweaving history, political philosophy, and affecting passages of memoir, Trust is an urgent call to foster an “American way of trust....